The conflict is now mature enough to warrant some larger reflection. Specifically, an examination of what this beef tells us about the marriage between hip-hop, conflict, and online culture.

I don’t . . . think that . . . it’s . . . sigh

Second, the war on truth in the age of misinformation now renders fact-checking irrelevant; whatever someone accuses another artist of in a song might be true or false. Whether we believe it is mostly about whether we want to believe it, whether the message aligns with our preexisting views.

Okay well, uh, good luck with that? I guess?

Why do people care about this shit?

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