In recent years, archaeological research has demonstrated the presence of abstract non-utilitarian behaviour amongst palaeolithic hominins, fuelling discussions concerning the origin and implications of such complex behaviours. A key component in these discussions is the aesthetic and symbolic character of intentionally incised artefacts.

In this study, we emphasize the geometry of the incisions as clues to intentionality.

While the Qafzeh, Quneitra and Manot items are isolated initiatives in their chronological and geographic contexts, the shared traits of the intentional engravings underscore their predetermined nature.