So she identifies as old, worn out, and ready to be replaced by a newer model?
Or is it that she regards herself as little more than a “[concubine] (who are referred to as “furniture” and have no human rights and are passed from one apartment owner to the next),” as referenced in the dystopian Soylent Green?
So she identifies as old, worn out, and ready to be replaced by a newer model?
Or is it that she regards herself as little more than a “[concubine] (who are referred to as “furniture” and have no human rights and are passed from one apartment owner to the next),” as referenced in the dystopian Soylent Green?