I know this topic has been discussed a lot before, but in my opinion there is no simple answer to this question.
Lately, I have been a bit disappointed with my Nikon DSLR kit (D3200) and thus I’ve been considering an upgrade. I got it many years ago, and it is undoubtedly a great, affordable camera that produces great images. I’ve had lots of fun with it and I can’t complain about its performance when shooting – given ideal conditions. When I am shooting more challenging subjects, however, I feel a bit hindered by my camera body/system. The points that bother me the most are:
- Size. The D3200 is a very nice, compact, and lightweight DSLR, but it is still relatively big compared to modern cameras. It won’t fit in a jacket pocket even without an attached lens. More current cameras with a higher image quality can be smaller than it is (but heavier). The situation is even worse for higher-end DSLRs.
- Autofocus. Again, the D3200 is a fantastic camera if you are just using the center focus spot using the optical viewfinder and nothing else. Live view (contrast) focus is straight up unusable, and there are only 11 (phase) focus points or so if using the viewfinder. At least that’s the case with “ordinary” Nikon lenses. I don’t know how it performs with higher-end lenses, like the Sigma Art line.
- “Low light” performance. I can’t bump the ISO significantly before image degradation becomes obvious. Low light in quotes because that’s the case even in fairly well-lit situations. Occasionally, I like to print on medium-sized paper (A3+), and if I need anything above ISO 400 to properly expose the image, it won’t look that good printed. Of course, I can always stick to printing bright images large and save the “low light” scenes to smaller prints, so this isn’t really my main concern.
- Custom controls. I wish I could customize the camera settings a bit more. For example, on my camera, the back button AF/AE can be set to lock the AF/AE or as a back button focus. But in image preview mode, the same button “locks” the image so it can’t be deleted. Thus, you need to quit image preview before using that button to trigger autofocus again. I would like to have a dedicated AF button so I can shoot straight from image preview if the opportunity arises. Another example of customization I can’t do: settings like auto-ISO and shutter speed can’t be capped/limited to a certain range. Let’s say I want to use auto-ISO but prevent it from going above 400 to avoid too much noise (and decrease shutter speed but risk shaky images). Or the opposite: prevent the shutter speed in aperture priority mode from going below 1/100 to avoid shaky images and then change ISO instead. Well, I can’t do either at the moment. Again, a nice feature to have, but totally something I can live with.
From what I have seen, cameras nowadays have gotten pretty good and they do look like a significant upgrade from 10-15 year old bodies. I guess all popular, entry-level, modern cameras (2019-) solve at least 3 of the 4 problems I listed above, so I don’t think I can go wrong with any big brand. However, I’m having a hard time deciding with so many options and sensor size/formats available. My options so far are:
- Nikon Z. Since I am already familiar with Nikon F lenses, I have read a lot about them and I know the strengths and weaknesses of many of those. That means I likely won’t be disappointed if I switch to another system, and I want a certain lens that doesn’t exist, or the optical performance is poor, or it is prohibitively expensive. The Z50, Z5, and Z6 all look amazing, and I can pick or switch between a full frame or cropped sensor easier than I would if I was stuck with a micro four thirds. They are more affordable than Sony.
- Sony. They seem to be fantastic cameras, with great image quality and features. Sigma and Tamron options for Nikon are likely available for Sony as well. I’m just slightly afraid that lenses might be too expensive for what they offer. Their cameras look super compact and pocketable, which is a huge plus to me. Full frame (A7iii) or cropped (A6400) are also both available for a seamless transition.
- Olympus. I think it is impossible to beat micro four thirds in size and affordability. It is perhaps the only system where you can get a wide angle, portrait, fast prime, macro, and telephoto that you can take everywhere in a small bag while not costing you a fortune. They also have pretty nice features, such as the “live mode”/“smartphone photography”, where you can get a frame that was captured slightly before the shutter button was pressed. This must be so cool for wildlife. Olympus stabilization is also highly regarded, with people claiming it to be “gimbal-like”. The E-M5 iii looks very appealing. My main concern is that I’ve never used a micro four thirds before and thus I don’t know how much I’m letting go in image quality. I already feel that the dynamic range I get with the D3200 rocking a larger, cropped sensor could be better.
I am not considering:
- Canon. I completely disagree with their “no third party lenses” policy. To me, that is unacceptable.
- Fujifilm. There are barely any telephoto options and they are one of my favorite lens types to use.
- Panasonic. I like what I read about the Lumix cameras, but they seem to be behind Olympus regarding micro four third still-focused cameras (apart from the G9). And I don’t know much about the L-mount.
- Hasselblad, Leica, etc. Too expensive. I want something that I can take with me everywhere and not worry too much if it gets damaged.
I would appreciate if you all could help me figure this out! Especially people who have used more than one modern mirrorless system or have recently transitioned from DSLR to mirrorless. Many thanks in advance!
Edited to add:
I forgot to describe how exactly I use my camera. I mostly shoot:
- “Lifestyle” photos, like something cool I’ve seen while biking to work, walking in the park, visiting museums, etc.
- Hiking, biking, backpacking photos, like landscape, close ups, macro, wildlife, etc.
- Birds of all sizes.
- Occasionally, street photography if there’s some cool event going on.
- I do like to shoot video, so something that would be 4K capable would be great.
Thank you for such a great reply! I will try to address your points individually.
First, agreed that used flagship always beats brand-new midrange. I will likely buy a higher-end (not flagship) camera used, because that’s what I do for basically everything (lenses, laptops, bikes, etc). I was a bit hesitant to state a budget because I am slightly flexible with it. However, I do not want to own a setup that costs more than $2k including everything. I was thinking about spending ~$500-750 on the body, and ~$1k-1.5k on lenses (long-term). I would like to have a compact, flexible kit lens, a long telephoto (I’m talking ~600mm equivalent), and a dedicated macro. Fast primes and pancake primes might be interesting depending on how I feel about the camera body. I know this is feasible with Nikon (given the FTZ adapter) and Olympus (as you know from experience). I am unsure about Sony.
I will likely do the same thing as you did, and buy from MPB, KEH, Adorama, UsedPhotoPro, etc. The local shops in my area pay too little for cameras and usually charge too much unless you are patient and find a gem. Also, the no-questions-asked return policy I can get online is much better than what local shops can afford to provide.
Second, I agree that the D3200 is a small DSLR. I’ve noticed that its size doesn’t bother me most of the time, but it isn’t a camera I can easily take with me everywhere. For example, it still can’t fit in a pocket or small bag, so I need to carry a relatively large bag to bring the camera and one extra lens with me. That is definitely not the case with feature-packed, smaller mirrorless cameras, like the Lumix GX or the Sony A6x00 series. On the other hand, I would also like to have more dynamic range and “low light” performance than the D3200 when camera size isn’t a problem. For that reason, I was considering avoiding mirrorless altogether and getting a Nikon F full-frame for situations where size isn’t a problem (D610, D750, D810), and a compact point-and-shoot to carry around at all times (Z-V1, RX100). However, two things made me think that this might not be a good idea. One reason is that “good” compact cameras nowadays are the same price as arguably better mirrorless without much compromise in size, so why even bother with a point-and-shoot? The other reason is that I wouldn’t be able to mix-and-match lenses, which would also be nice.
Lastly, I will be sure to check out PetaPixel’s videos. I’ve seen a lot of MicroFourNerds’ content and I agree that she is great.
I’m glad to hear you’re enjoying the E-M5ii. I was thinking about getting the E-M5iii because of the 4K video. I skipped the E-M10 line due to the lack of weather sealing and “downgraded” processor (as MicroFourNerds recommended). The E-M1 is much heavier given that it is “for pros”, so it kind of defeats the purpose of portability in my case.
I agree that point and shoot or bridge cameras are a a little silly these days. I have been looking into the M43 stuff because I can add a few different sized and featured bodies while sticking with interchangeable lenses that are part of the same system. Some of the M43 bodies are absolutely tiny, especially if you’re willing to give up the viewfinder and only use the back screen.
I saw you mention in another reply about how the newer M43 seem to be not doing compact cameras anymore. It’s hard to say if that trend will continue or not… panasonic seems to be doing more of that sort of thing still and offering things across the spectrum of use cases. I feel like the popularity of street photography right now will likely make some new compact things show up eventually. I would point out, also, that the sony a7iii you’re mentioning is basically the same physical size as the OM-1 series… but the lenses will be half the size. https://camerasize.com/compare/#777,918 so your total kit size and weight will be much smaller.
I watched countless videos looking at little M43 cameras before I picked up the E-M5 II. The weather sealing was definitely a big bonus for a little camera. I don’t care about video at all, so I was happy to go with the slightly older version. The better hand held “high rez” on the E-M5 III is nice, though I’ve heard the build quality is a little more plasticy. Personal preference really… .it does reduce weight a bit. As for image quality… I have been very happy with my results. This is one of the first cameras where I’ve been mostly happy with the JPEGs that come directly out of camera. I still shoot RAW+JPEG but I find myself only editing occasionally when sharing which is nice.
Don’t get me wrong, the stuff that comes out of sony SLR style cameras is really good. They definitely do some good stuff in their sensors. And if you get their G series lenses, they are very nice… but expensive. You’ve just mentioned the size and carry weight a bit and I’ve fixated on that. When I’m out birding, I always run into other people as well… and the rigs that people are carrying for sony, nikon, and canon are all the same size. A lot of people carrying 150-600 or 100-400 lenses… and they’re huge. That was one of the motivations for wanting a second camera and adding some M43 into my lineup.
One of the things that I have done with camera and lens purchases is go to flickr. You can search hashtags by item name. So when I was looking for M43 I was comparing the omd em5 ii vs the lumix gx8… so I just searched for those and you’ll get a bunch of real world photos that people have taken to see what things looked like. Same thing for lenses… searching for a lens make and model… and you’ll see that lens how it looks on multiple different bodies. A good quick way to compare a lot of real world stuff and not the clinical shots that reviewers use. Both are useful.
The advice I’ve always received, and it makes sense to me, is pick a lens system. Lenses hold value and last longer than camera bodies, especially with digital. So if there is a system that has a lot of lenses you like and options (seriously fck canon and their no 3rd party rules) it makes sense to get those and get a body to match.
Good luck on the search. Try not to let the spec overload get to you… at the end of the day most cameras are pretty good these days. Once you’ve narrowed to some of the better ones, anything you choose will likely make you happy. :)
–edit– Added a full rez image from the first day I had the EM5II taken with the 14-42mm kit lens. Unedited JPEG out of camera just so you can see the detail, as that was a concern you voiced.
Yes, I can totally see someone owning a GX8/85 and an E-M1X and pushing both to their full potential with interchangeable lenses, taking advantage of individual strengths. Should be really fun to just grab whatever fits in your bag and bring it with you.
I also understand that the size difference between Sony full frame and Olympus M43 is ridiculous, despite bodies being the same size, if you consider the whole setup. I do own one of those huge full frame DSLR super telephoto lenses, and it isn’t exactly easy to shoot handheld. Doable, but less forgiving than a lighter setup. Moreover, I restrict its usage to birding almost exclusively, since it is a pain to carry that lens around. I’m sure image quality would be amazing if I had a nice full frame (or higher-end cropped) body to take full advantage of the lens for birding in challenging light, but I can’t help but wonder if I would bring the smaller (M43) telephoto lens with me more often if I had one. Especially so if I take into account those situations where I am not “just birding”, but walking around or hiking and I happen to spot cool birds that I’d love to photograph.
I like the flickr advice. I will check it out for sure. It should be especially helpful when comparing similar cameras. From what I’ve seen online from other sources, Sony in particular crushes M43 for low light video, but I haven’t noticed much of a difference in stills. I guess nowadays it all boils down to personal preference. Camera Conspiracies has talked about full frame vs M43 in good light and in low light. Even though he is sometimes hard to follow due to his sarcastic style, I found those videos to be a great resource.
Also, thank you for sharing that picture! Honestly, the high resolution mode looks great to me, I would have nothing to complain about it. I might actually consider a lower-end camera to start experimenting with another system, as another fellow commenter suggested I should do for Sony (to get an A6000).
Heh yeah… my supertelephoto is a commitment. I only carry it when I know that wildlife photos are what I’m doing. Ended up getting a monopod and a peak designs slide strap to help mitigate some of the weight. So I can sling it over my shoulder and carry it on my back now which helps. Highly recommend their strap system stuff if you haven’t tried it… definitely lived up to the hype for me. I kept wanting another interchangeable lens camera for other days so M43 seemed like a good choice for my use case.
You’re talking about wanting to do low light and particularly low light video… the newer sony stuff will just about blow anyone else away. I’ve heard good stuff about the panasonic’s newer stuff… but sony is known for that. From what I’ve seen the quality of their sensor noise when it does start showing is more pleasant… more impulse noise than color… so you’ll get salt and pepper noise which looks more like old film grain which can make things look more cinematic even.
If you want to compare dynamic range and usable ISO, DXOmark has lots and lots of charts for that sort of thing. I wouldn’t take their stuff as the end all be all… read it more like a spec sheet so you can compare two different things. https://www.dxomark.com/sony-a6000-sensor-review-little-wonder/
The a6xxx series definitely sits at a reasonable price point for the bodies. IDK that much about their lenses or prices for that… but it does look like you could get a body for $300-600 on mpb in excellent condition. I have heard good things about the a6xxx series as well, so it could very well be a good jumping in point if you wanted to get into their ecosystem. Looks like DPReview did a few videos about that series of cameras… I’d check those out for sure. They like to split their videos into several sections… and have equal time for stills and video which will give a really good rundown of things usually.
My next purchase if I were to keep the super telephoto would definitely be a big tripod/monopod combo. But I just sent it to KEH to fund the new body and lenses I’m getting. Let’s see how it goes. Thanks for the Peak Design strap recommendation. I have the clip and quick release anchor links, and I must say I love both accessories. I’ll make sure to check out the strap on my next trip to REI.
Regarding shooting video, there are basically two situations where I use the video mode:
Recording birds when it’s early or late in the day. For that, I would need low light performance. But even if the image is noisy, who cares. It bothers me more when my mic captures noise from other people around.
B-roll for my outdoor trips (biking, hiking, snow sports, etc) to complement my action camera stuff. My gopro sucks in low light anyway, so I don’t care if my B-roll video camera is going to suck as well. I shoot in 4K on it, so I feel like action videos with some cinematic depth of field from a mirrorless camera in 4K would look very nice as B-roll.
Actually, I just got back from my trip to the camera store to check out what they had available. I got to test Nikon, Sony, Olympus, and Panasonic. Basically all the camera models I had in mind.
In summary, I have ruled out all bigger camera bodies for now. So, I’ll have to pick between Sony A6x00 series, Panasonic GX or Olympus E-M5. I’ll follow your advice and think about it further after checking out what sources like DPReview have to say.
Included a picture of my 7D2 with 50mm next to my EM52 with 42mm to see the size difference “IRL”. Thought it might be a fun comparison.
I wish I had some more useful information about the video side of things but it’s really not my thing. The a7 (starting with the 3 or 4 idr) have been touting the dual native ISO thing which would be applicable to your low light video… but you’re talking about the more expensive and slightly larger bodies.
A little of that is probably because it’s what you’re used to… but a big thing about those larger bodies is that they are made to be comfortable in the hand. One of the reasons I wanted to upgrade from a mid DSLR to a full DSLR was to that it felt better in my hand to hold especially with larger lenses on it. It’s always a trade off between ergonomics and size / weight. Something to consider is that many cameras have things you can add or change to adjust the ergonomics to a degree. The EM5 was just a tad too small for my hand but I got a little, inexpensive handle that adds like a centimeter to the bottom and a bit of a grip and now it’s great to hold one handed. I wouldn’t buy something that you hated but there’s definitely things you can do to adjust them.
Yeah… rangefinder style bodies are definitely going to feel more “portable”. You sacrifice some of the in hand ergonomics, but if you aren’t holding it for an hour or two straight staring at a bird waiting for it to do something… it’s less of an issue lol. One of the points between the olympus em5ii and the lumix gx8 I was tossing around was the body style. The rangefinder style does feel different and slim for an EDC sorta camera for sure.
The conversation about olympus vs panasonic circles around the lens stabilization a lot because they choose different methods and have evolved from that. On the older style cameras like my EM5II they chose to go with IBIS (full 5axis which has been really nice coming from a DSLR) so they don’t include any stabilization in their brand lenses. That means their lenses can be half the size and weight which is really cool. It also means I get some stabilization on manual 3rd party lenses which is nice. The newer panasonic like the G9II, IIRC, handle IBIS on non-first party lenses better than olympus in their current flagships… but it’s one of those things where you have to look at each one. The cool thing is that M43 is M43… while you might have a lenses and camera combo here and there that isn’t great… mostly they’re interchangeable so you could get a small, cheap Olympus and later get a brand new panasonic and the lenses would still fit (which was my plan heh).
It might be worth considering having more than one camera as the end goal. I realized I wouldn’t get everything I wanted from one camera because having a large ergonomic dslr with nearly infinite battery life… and a tiny light mirrorless were mutually exclusive. With used sites it has gotten a lot more reasonable to have a couple systems. It sounds like the sony is really appealing to you and if you were going to buy into two systems Sony and M43 would be a solid choice, IMHO. You’re going to have a good selection of bodies and lenses on the sony side so you can get some nice lenses and then update bodies if you want to later on. Also with how popular their stuff is I would imaging you wouldn’t have a hard time selling your system if you changed your mind in a couple years either. M43 being an open standard has multiple manufacturers on board so it has a lot of good lens choices. There are some fun “artistic” lens makers like 7artisans and laowa making some interesting stuff and they usually make for sony and M43 so if you got into any of those your bases are covered.
I have heard those 3 choices recommended over and over online. I don’t think you can really go wrong with any of them. The video side is going to be the biggest sticky point with the older bodies. Even getting the EM5II I still kind of want a GX8… there’s a couple features I like and the body style is appealing. I’m beginning to see why all these camera youtubers have a wall of tiny cameras behind them lol. Also… “lens acquisition syndrome” … the struggle is real haha.
If you decide you like that system it definitely has a few fun things you can attach to those clips. I’ve got those little red dots hanging off all my stuff now. I got a hand grip (see picture above) on my DSLR. I got the wrist strap for the EM5II. I got the full size “slide” for my DSLR. I am considering getting one of the smaller ones or the adapter clips for the EM5II. I love the ability to add and remove as I go depending on how and what I want to carry. If you go to their site, they sell directly as well… and more importantly they have a “last call” for last years models that are being clearanced out as well as a certified and fully warrantied “pre-owned” section. I have gotten some good deals from them and all the pre-owned stuff has looked brand new but half priced. https://www.peakdesign.com/
Ha, nice comparison between the huge Canon and the tiny Olympus.
I’ve definitely seen people selling bodies with those handles on Craigslist. From what I’ve noticed, they are pretty popular as a modular solution to improve handling. I’ll definitely look into getting one regardless of my ultimate choice, since it will be a small camera.
Also, I’m aware of the Olympus vs Panasonic IBIS stuff, it is definitely something I’m taking into consideration because I guess IBIS might be better than OIS in general for the reasons you mentioned. The GX8 has IBIS, but I’m sure it pales in comparison to the E-M5iii (5 axis). I agree that it is great to just be able to add a more powerful body (like the G9ii) to your setup without having to use different lenses. Big plus for M43, since there’s no difference in sensor size.
You mentioned
This is what I’m starting to realize. I’m definitely inclined to try out both Sony and M43 because they both shine at their own individual strengths. As you said, a rangefinder-style body is very nice as an EDC, while a bigger SLR style camera would do well for shooting-only days. It’s great that you mention 7artisans and Laowa, those look like a lot of fun to me, definitely one of the reasons I want to switch to mirrorless.
At the moment, I’m trying to decide between Sony A6x00 (A6100 or A6400), or M43, either GX8 or E-M5iii. My local shop has a used GX8 available that I will probably check out. If I were to get a Sony or Olympus, it would have to be through MPB or UsedPhotoPro due to availability. I’ll think about it and make a decision. My starting point would be one of the three options below:
Plus one budget telephoto for whatever “kit” I end up deciding to get. But I’m definitely inclined to invest in both systems in the long term.
About Peak Design,
That’s a great tip! I didn’t know that was a thing. I’m browsing their pre-owned section now, that’s actually amazing. Thank you for sharing!
Well, now I guess I’ll start considering those three options and I might update the post once I have a more informed opinion. I’m not too worried because I’m sure all those three options are great cameras. I’ll watch some videos and look at the side-by-side specs comparison spreadsheet more carefully.
I have this lens for my EM5ii and it is quite sharp and tiny af. That’s what’s showing in that picture I posted, if you hadn’t noticed. It extends when in use about 2x but still small. I have mixed feelings about the EZ portion of it but overall it’s a really nice little lens for just wandering around. With the crop factor it’s a 28-84mm which is a nice range for just an all around lens to do landscape, street, portrait. That bee photo I posted was that lens… the MFD is like 9 inches.
I grabbed a couple videos comparing the mark ii and the mark iii from some more M43 focused youtubers that I’ve liked just to give some comparison for you talking about those specific cameras.
https://www.youtube.com/watch?v=biOmDEROWJ0 https://www.youtube.com/watch?v=Xh96vJ5MQEU https://www.youtube.com/watch?v=Bid2fAIxkNY
I was looking for a lumix GX8 but a couple big deciding factors for me were: better IBIS, weather sealing, and price. I could find the EM5II for 400ish… but the GX8 was staying around 600.
I don’t know sony line-up at all really. The M43 side has some really cheap (even brand new) zooms that are well reviewed. a lot of the 40ish-140ish range (before 2x). Kind of puts you into that 70-300mm equivalency which is a really solid “walk around and take some wildlife pictures” sorta lens for me… and these are like the size of a soda can! Keep debating just getting one… bhphoto has them new for like $130 on a sale right now… mpb has been sitting around 80-100 in “excellent” condition. Only reason I haven’t is because I have those telephotos for my canon and it feels silly to duplicate heh.
Absolutely. :) I kept hearing how good the peak design “slide” was and vacillated for a long time because of the price. Glad I jumped on it though, I’ve been really happy. I have a ton of their stuff now and I love how they use that same quick connector and always give you a couple more than you need for putting on other stuff. They even sell a pack now of just the latch system so you can use it to adapt existing camera straps if you want for a cheaper alternative, which is kinda cool.
Something else I was going to bring up… there are a lot of camera and lens rental shops around… depending on prices you might be able to rent something to test out if they keep it in stock. Might be that these cameras are too old… IDK.
Another thing is you might find after a year of using that this or that feature is lacking or unused or whatever. I didn’t think I needed a smaller camera for a while but I find myself this year wanting to just walk in the park with a little camera some days which spurred me on. You might find that you just enjoy whatever one you want and then want to fill the gaps with something else. These “used but checked and warrantied” sites like mpg et al really put my mind at east buying used gear so I felt like a lot of the pressure of price was eased.
I’ve been watching an insane amount of M43 videos lately.
Right now, I kind of feel like that the performance beast (high image quality days) + pocket rangefinder (travel or daily carry) is a really attractive setup, like Lumix G9 plus GX85, or E-M1X plus E-M5 III. I also found that I can indeed get all the lenses that I want (with professional quality) for under $2k (wide kit, two fast primes, macro, telephoto). Yes, that whole setup would be really light and small, to the point where camera and two or three lenses can be inconspicuously carried around in pockets.
I don’t want to spend a ton, but I also think that I should “go big or go home”. I want to feel the improvement, but without breaking the bank. Basically, my options remain the same (E-M5 III, GX85, etc). I’m trying to find something close to ~$500, and I’ll make a final decision after KEH pays me if they really are keeping my Nikon lenses.
That was honestly great, I’m impressed. I’ve seen macro photos people have taken on M43, and they look great all the way from wide-angle to telephoto range. I guess the deeper depth of field and image stabilization is a huge plus for handheld macro, even though a full frame setup (with a different lens) will clearly capture more light and push the ISO further (or use a flash).
Yes, I would aim for 450mm+ full frame equivalent. From experience, I feel like 450mm in full frame is great, 600mm isn’t much of an upgrade, and 800mm is awesome (but heavy).
For Sony, the best I could do on a budget would be the Tamron 70-300mm ($500 new, say $350 used) and the Sigma 100-400mm ($850 new, say $600 used).
For M43, there’s the Olympus 75-300mm ($550 new, say $400 used) and the Panasonic 100-300mm ($650 new, say $500 used).
Options aren’t bad for either, considering crop factor, size, and price. I would say they are virtually tied, with APS-C having a slight edge on image quality and video autofocus, and M43 winning on either reach (considering the 70-300mm) or weight and bulk (considering the 100-400mm without the hood) .
I would probably get one of those “do-it-all” lenses you’re talking about, as well. They would be great travel assets, I think. But to be honest, I’m unsure how much of an improvement that would be, considering that carrying a wide plus a telephoto lenses is no big deal anyway if they are M43.
Unfortunately, shops around me only rent full frame flagship legends, so I’m out of luck. There’s a local Olympus “borrow our equipment for free for 4 days” program, though. But they only lend their newest releases. I couldn’t find an option to borrow both an OM-5 body and an all-purpose lens. Tomorrow I’ll call them and see if that’s possible.
That’s exactly why I’m hesitant to commit to one system or the other. I’m asking myself “do I really need something this light and tiny? Maybe I don’t, perhaps my current setup is already small enough and I won’t care much about a smaller camera. But maybe I do, and it will be a game changer when I realize it”. The same thing for creepy Sony eye-tracking autofocus. Who knows if I will simply not care or absolutely love it. There’s a possibility that I’ll hate Panasonic contrast-only autofocus (I know it’s straight up unusable on my Nikon D3200, while the D500 puts every other camera out there to shame). I might also not care the least and even forget that I don’t have phase contrast AF. Well, the list goes on and on; IBIS, high-resolution mode, focus stacking, bracketing, flippy screen, yadda yadda yadda.
I guess I’ll only find out when I pull the trigger on one of those. Options are too volatile right now, on all platforms: Craigslist, eBay, Roberts Camera, KEH, MPB, etc. I’ll have consider my options carefully when I get my money from KEH.
What I’ve seen is,
I’ll start with one of those bodes plus an all-purpose wide to mid range zoom and see how I like it for “everyday” stuff.