Including terrible films starring John Cusack, Jane Fonda, John Travolta, Will Smith and Jon Voight, here are the ten worst science fiction movies of all time.

They are (apparently in no particular order):

  • Barbarella (Roger Vadim, 1968)
  • Piranha 3DD (John Gulager, 2012)
  • Alien vs. Predator: Requiem (The Brothers Strause, 2007)
  • Highlander II: The Quickening (Russell Mulcahy, 1991)
  • Roller Blade (Donald G. Jackson, 1986)
  • 2012 (Roland Emmerich, 2009)
  • Superbabies: Baby Geniuses 2 (Bob Clark, 2004)
  • Mac and Me (Stewart Raffill, 1988)
  • Battlefield Earth (Roger Christian, 2000)
  • After Earth (M Night Shyamalan, 2013)
  • ᴇᴍᴘᴇʀᴏʀ 帝OPMEnglish
    13•5 months ago

    Some of those are a given (Highlander 2, Battlefield Earth) but others suggest they need to watch more movies.

    I’d also include:

    • League of Extraordinary Gentlemen (2003)
    • Cosmic Sin (2021) and Anti-Life (2020) - I understand the context but that doesn’t stop them from being shit
    • Alone in the Dark (2005) - screw Uwe Boll
    • Monster (2008)
    • Disaster Movie (2008)
    • Brazilian Star Wars (1978)
    • Doghouse (2008) - punchable
    • Most mockbusters, especially the Atlantic Rim ones
    • @reddig33English
      6•5 months ago

      Still waiting for whichever studio owns the rights to LGX to make a tv series out of it.

      • @[email protected]English
        6•5 months ago

        LXG should have been good. It’s amazing they managed to make such a bad movie with that premise.

        • @[email protected]English
          4•5 months ago

          It took itself seriously. I read the comics and they’re awesome because they are so over the top.

    • andrew_bidlawEnglish
      1•5 months ago

      Monster (2008)

      I double checked this one. The weird thing is, Cloverfield was released as Monstro in Russia and Ukraine, Project: Monster in Poland, Monstrous in Romania and Bulgaria. I’ve yet to hear why, but I guess it’s eastern european distributors rightfully thought this name would be more telling of what’s presented in the movie.