CDs are in every way better than vinyl records. They are smaller, much higher quality audio, lower noise floor and don’t wear out by being played. The fact that CD sales are behind vinyl is a sign that the world has gone mad. The fact you can rip and stream your own CD media is fantastic because generally remasters are not good and streaming services typically only have remastered versions, not originals. You have no control on streaming services about what version of an album you’re served or whether it’ll still be there tomorrow. Not an issue with physical media.
The vast majority of people listen to music using equipment that produces audio of poor quality, especially those that stream using ear buds. It makes me very sad when people don’t care that what they’re listening to could sound so much better, especially if played through a hifi from a CD player, or using half decent (not beats) headphones.
There’s plenty of good sounding and well produced music out there, but it’s typically played back through the equivalent of two cans and some string. I’m not sure people remember how good good music can sound when played back through good kit.
Apologies in advance for a long, perhaps boring, old man story. Feel free to skip it if you’d like.
Somehow, I mostly bypassed the vinyl era—not on purpose, just by how timing worked out. My parents and older siblings had vinyl records, which I found fascinating and played whenever I could. We also had a few 8-track tapes, but like many, we quickly realized they were not great and stopped using them.
When I was old enough to buy my own music with my fast-food job earnings, cassette tapes were the go-to choice. I wanted to listen to music on my Sony Walkman or the cassette player in my hand-me-down car, so cassettes made the most sense. My friends and I would drive around, wasting gas but having a blast singing along to our favorite tunes and bonding over our shared love of music.
I ended up with about 25 or 30 cassette tapes. When CDs came out, they were a game-changer. They were superior in almost every way, so I replaced most of my tapes with CDs and expanded my collection to about 300 at its peak. I enjoyed my CDs for years, often playing them when we had friends over for dinner and drinks.
Then came the mp3 revolution. I painstakingly ripped my entire CD collection to mp3 format, which took ages, but I kept the CDs for a while, much to my wife’s annoyance, before donating them to a local charity.
These days, I sometimes find music on YouTube, but I’ve never let go of my personal mp3 library. I have multiple copies on SSDs for safety and occasionally add new tracks, though my taste in music is mostly set. I’m not very interested in new releases, not because they’re bad, but they’re just not to my taste. I might make an exception for a movie or game soundtrack or if a younger friend recommends something.
When vinyl made its big comeback, it seemed bizarre to me. I couldn’t understand the appeal of going backward. But as it persisted, I began to get it. With so much content digital and cloud-stored, it can feel ephemeral. Streaming services can disappear or change, leaving you with nothing. Owning a physical object with your favorite music makes sense; it’s something tangible, something truly yours. Though I stick with my mp3s, I understand the allure of vinyl now.
There’s also something to be said about the quirks and flaws of older technology. The grain of film, the pops of a record player, or the imperfections of an analog guitar amp become endearing over time. When a perfect digital replacement comes along, it can feel “cold” to those accustomed to the imperfections. There’s an entire industry dedicated to reintroducing those analog quirks into the digital realm, recreating that familiar, comforting imperfection.
I took them out of the jewel cases and put them into a binder, 4 CDs per page. It hasn’t exactly been a burden to carry it around for the last 20 years.
I couldn’t tell you how old my oldest MP3s are, except to say that a significant portion of my music library consists of MP3s I made myself with the Fraunhofer DOS command line encoder, and the Cassady & Green SoundJam software for MacOS. Of course, SoundJam is the software that Apple purchased and re-badged it “iTunes”.