In short, the opera is nearly three-hours of uninterrupted batshit craziness.
On stage, naked nuns roller skate around on a movable half-pipe, while a bouldering wall of crucified naked bodies dripping blood looms in the background. To add to this chaos, there are live piercings, crucifix swallowing acts, unsimulated sex scenes and a sprinkle of spanking thrown in for good measure.
One particularly unforgettable moment sees an actress with dwarfism dressed as the Pope, being spun around by a robotic arm, while another features an actress belting out Eminem tracks while dressed as Jesus (because why not?).
The ghost of Paul Hindemith:
Hindemith on his second opera, “Das Nusch-Nuschi.”:
“The following ‘choral fugue’ (with all mod cons: augmentation, diminutions, stretto and basso ostinato) simply thank their existence to an unfortunate coincidence: they were conceived by the composer. They have no further purpose than this: to incorporate themselves stylishly into the framework of this picture and provide all ‘experts’ with the opportunity to bark about the incredibly bad taste of their creator. Hallelujah! – It is essential that this piece be danced (or rather wobbled to) by two eunuchs with incredibly fat and naked bellies.”
The ghost of Paul Hindemith:
Hindemith on his second opera, “Das Nusch-Nuschi.”:
https://en.wikipedia.org/wiki/Das_Nusch-Nuschi
This sounds fucking amazing. Literally.
If Germany is now pioneering the medium of operatic fetish porn, I’m totally here for it.
Dunno. Sounds like schlock for the sake of schlock to me. Nothing wrong with that but don’t claim it as high art.
I happen to know a lot about schlock. I really don’t think this sounds at all like it.
I would encourage you, instead, to check it out for yourself.