十面埋伏 (trans: Ambush from All Sides) is a 琵琶 (pípá or “Chinese lute”) long form solo composition dating in its first form from the 16th century, but whose current popular form stems from a 19th century publication of collected pipa works. It’s written in the 武 (wǔ or martial) style¹ and is a sweeping sonic depiction of the Battle of Gaixia, the final major battle of the Chu-Han Contention, in 202BCE.

This is one of the most demanding and complicated pieces in pipa canon that strains the player’s ability in every possible performance technique; if you’re listening to someone playing it you’re almost certainly listening to a virtuoso performer. Personally I love it because:

  1. Its composition is top notch and evokes the battle it portrays with vivid musicality.
  2. I admire listening to virtuoso players of any instrument.
  3. I like the sound of the pipa in general.

The performance linked to is considered one of the ultimate performances; Liu Fang is, as is required to play this piece at all, a virtuoso but she adds a dimension of passion to the piece rarely heard in the staid world of Chinese classical music.


¹ As opposed to the 文 (wén or civil) style, which tends to be more bucolic in theme and style.

  • OikioM
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    13 days ago

    Thanks for sharing! Please format post according to community rules. Year should be in brackets.

    Artist - Title (year)