My finished submissions for Critical Mass! This was after I spent about two hours on each image freaking about light levels and color grading. I wanted to capture a variety of times in the day and night, which is why the illuminants aren’t consistent from picture to picture.
The table got jostled over two days of shooting, and that’s one of the bits that me and my assistants missed. Shooting was back in November, and I’m only just now finishing up the edits. The original set doesn’t stand anymore, so I’m doing the best with what I’ve got.