This year's breakouts like 'Project Hail Mary' and 'Obsession' were made by filmmakers who sweated. While CG-stuffed franchise disappointments such as 'Supergirl,' 'Moana,' and 'The Mandalorian and Grogu' looked lazy.
The idea that you won’t see half the screen is a bit misleading. You’re making it sound like a movie that was designed to only work in IMAX and was then crudely cropped to fit a regular screen.
That’s absolutely not how this is done. Instead, they design each shot to work just fine on a regular screen. The IMAX just adds extra space and spectacle at the edges. You get a broader vista, but the actual scene and characters will be the same in both.
There are definitely a bunch of shots where the chop is pretty obvious. But they were shots where you are meant to feel a bit claustrophobic anyway so it was mostly fine. I think the only scene where it felt off was at the very end where the combat choreography felt like it was lacking some scale.
Good job, you can read. I am saying that most people will be not be able to even choose that option in the world. So all that extra effort that makes it so much more expensive and slow is wasted on most of the audience. But apparently it’s a big nono to say something about it.
Sorry for this clusterfuck here. And sorry for my aggressive responses.
Some of my comments were sarcastic jest like the “see, they don’t even care!” and it started a whole thing that just hit a nerve.
I genuinely hope you enjoy the movie. I am sure it’s fine.
I just don’t get why he made it so much more difficult for everyone involved too make, for not much difference, is all I wanted to say. But nolan is nolan, and he just likes doing it that way I guess.
Yeah and I appreciate attention to quality just fine. It’s just that most people will see half the screen.
The idea that you won’t see half the screen is a bit misleading. You’re making it sound like a movie that was designed to only work in IMAX and was then crudely cropped to fit a regular screen.
That’s absolutely not how this is done. Instead, they design each shot to work just fine on a regular screen. The IMAX just adds extra space and spectacle at the edges. You get a broader vista, but the actual scene and characters will be the same in both.
There are definitely a bunch of shots where the chop is pretty obvious. But they were shots where you are meant to feel a bit claustrophobic anyway so it was mostly fine. I think the only scene where it felt off was at the very end where the combat choreography felt like it was lacking some scale.
OOOOHHHHH are you upset that the 70mm IMAX version isn’t available in your country?
Good job, you can read. I am saying that most people will be not be able to even choose that option in the world. So all that extra effort that makes it so much more expensive and slow is wasted on most of the audience. But apparently it’s a big nono to say something about it.
No, I’m linking your pissy attitude in here with your inability to see it in 70mm IMAX. It just makes sense now why you’re lashing out at people.
I’m sorry you can’t see it in the original format in your country.
Have fun. Now stop being an annoying cunt.
Go get a cup of coffee and chill the fuck out.
Sorry for this clusterfuck here. And sorry for my aggressive responses. Some of my comments were sarcastic jest like the “see, they don’t even care!” and it started a whole thing that just hit a nerve. I genuinely hope you enjoy the movie. I am sure it’s fine.
I just don’t get why he made it so much more difficult for everyone involved too make, for not much difference, is all I wanted to say. But nolan is nolan, and he just likes doing it that way I guess.
Oh and I don’t drink coffee.
… you’re the one flipping out tho