This is superficially funny, of course. But I’ve seen it before and after thinking about it for a while I find myself coming to the defense of the Torment Nexus and the tech company that brought it into reality.
Science fiction authors are not necessarily the best authorities when it comes to evaluating the ethical or real-world implications of the technologies they dream up. Indeed, I think they are often particularly bad at that sort of thing. Their primary goal is to craft captivating narratives that engage readers by introducing conflicts and dilemmas that make for compelling stories. When they imagine a new technology they aren’t going to get paid unless they come up with a story in which that new technology poses some kind of threat that the heroes need to overcome. The dark side of these technologies is deliberately emphasized by the authors to create tension and drama in their stories.
Tech companies, on the other hand, have an entirely different set of considerations. Their goal isn’t just to recreate something from a sci-fi novel for the sake of it; rather, they are motivated by solving real-world problems. They wouldn’t build the Torment Nexus unless they figured that they could sell it to someone, and that they wouldn’t get shut down for doing something society would reject. There are regulatory frameworks around this kind of thing.
If you look back through older science fiction you can find all sorts of “cautionary tales” against technologies that have turned out to be just fine. “Fahrenheit 451” warned against the proliferation of television entertainment, but there’s been plenty of rich culture developed for that medium. “Brave New World” warned against genetic engineering, but that’s turned out to be a great technology for curing diseases and improving crop yields. The submarine in “20,000 Leagues Under the Sea” was seen as unstoppable and disruptive, but nowadays submersibles have plenty of nonmilitary applications.
I’d want to know more about what exactly the Torment Nexus is before I automatically assume it’s a bad idea just because some sci-fi writer claimed it was.
“Brave New World” warned against genetic engineering, but that’s turned out to be a great technology for curing diseases and improving crop yields.
I was still a teen when I read the book, but that wasn’t really my take from it when I read it. We are still far away from genetically designing human babies. And you also overlooked the part about oppression/control via distractions such as drugs and entertainment.
My takeaway from BNW was a warning against blindly embracing a society built only on good feelings and numbing anything that forces us to confront pain. The oppression was more or less a side effect of it.
Everyone in the upper classes were okay that lower classes were being oppressed because they all were just as happy thanks to Soma. The pain of the outsiders didn’t mean anything because they “chose” to live like that.
Genetic engineering was just a plot device to explain how the classes were chosen.
The brilliant thing in Brave New World was that it didn’t at any point make it obvious that people were miserable slaves - they could leave any time they wanted, and lived a life of bliss. Still, as a reader, you end up feeling like you’d rather take the place of the savage than any of the characters living in the hypercommercial utopia. At least that’s how I felt.
I haven’t read it in a while, but I kind of took the genetic engineering as a metaphor for being forced into the role/ class the ruling body wants you to be in
And just because a sci-fi writer can make up a horrifying story of the Torment Nexus gone wrong doesn’t make it a bad idea. Making up horrifying stories of things going wrong is their job. They’ve make up stories of how things go horrifyingly wrong while doing research into a cure for Alzheimer’s disease, doesn’t mean curing Alzheimer’s disease is a bad thing.
I stopped reading when you said the goal of tech companies is to solve real world problems. The only goal of tech companies is to create products that will make them a profit. To believe anything else is delusional. That’s kind of why our society is crumbling and the planet is dying.
Yes, but by other companies. Those problems are not created intentionally in order to create and exploit a market, they’re just consequences of those other companies doing business. Pretty much the only example of companies creating problems so that they can sell solutions I can think of is free-to-play games (e.g. make game excessively grindy on purpose to sell boosters). Some of that scummy monetization is now creeping into real-world products, with things such as subscription-based heated seats that are installed in your car regardless but disabled unless you pay up, but the vast majority of products and services on the market address problems that were not created by their manufacturers/providers.
“Cyberpunks” weren’t warning us about the internet - they were warning us about the corporations who will control it, and through it, us. We are trying explicitly not to communicate on that medium by using Lemmy (that medium encompasses Reddit, X, the various properties of Meta and Alphabet)
Science fiction mentioning a technology, even centering around it, doesn’t mean it’s saying the technology is universally bad. The author highlights the dangers, but the tech itself is almost always portrayed as neutral. It’s the people who use it to nefarious ends that science fiction is warning us about.
Like the people who would seek to profit off of the Torment Nexus.
The concept of the “Torment Nexus” is a placeholder for any technology specifically described as dystopian or otherwise contributing to suffering in fiction, such as mass surveillance, mind control technology, and so on. The meme refers to modern-day corporations missing the point of the fiction, and creating said “Torment Nexus” as something they view as “cool” and “futuristic”. In some cases, the companies are self-aware enough to not pretend that their creation is anything other than dystopian, but in many cases they try to sell the new technology to the public as a good thing despite that very tech being described as dystopian already.
NO cyberpunk was afraid of the fucking internet. The problem has always been the economic mode of production underlying it, which is unironically dystopian. Also the tech world we live in is PRETTY fucking dystopian, get your head out of your ass.
Television and increasingly digestible media is turning our brains to mush. If someone had the imagination to write a sci-fi novel about Fox news and the rise of Trump, they would have.
Genetic engineering is enabling us to harvest monocultures that completely fuck up the ecosystem, in the long run not only underlining important dynamics such as species needed for polluting plants, but also the very soil on which they grow.
It’s been a while since I read Brave New World, but that also didn’t stand out to me as the most central part of his critique to me. In my reading it was about how modern society was going to turn us into essentially pacified consumer slaves going from one artificial hormonal kick to the other, which seems to be what social media is for these days.
Things that seem like short term good ideas, and certainly great business ideas, might fuck things up big time in the long run. That’s why it’s useful to have some people doing the one things humans are good at - thinking creatively - involved in processes of change, and not just leave it to the short term interests of capital.
If someone had the imagination to write a sci-fi novel about Fox news and the rise of Trump, they would have.
You kidding, right? Those stories have been dime a dozen since the late 90s at least.
24 warned us about having an evil, terrorist US president. As have done a few movies in the past. Streaming platforms were pretty much masturbating themselves over “Confederate US AU” script offerings as early as 2014. Not to mention the nowadays trite trodden trope of “Nazi US AU”.
Heck, you don’t even need fiction. Chile’s cup in 1973 was paid for by the CIA as a social experiment to produce the rising and establishment of a dictatorship.
I was referring more to the plot of brain-dead cable and social media algorithms fuelling the death of democracy. But you’re right, it’s probably been written many times - I’m not very knowledgeable of sci-fi, and there’s a lot of brilliant work out there. :)
Well, Fox News, Facebook, Cambridge Analytica, and Twitter were a fresh twist. I guess all good scifi mirrors history in one way or another, just taken to the extreme with help of technology. :)
Television and increasingly digestible media is turning our brains to mush.
No it isn’t. Global connectivity is just putting a spotlight on the the fact that most people are and always have been fucking stupid and/or dangerously undereducated.
Dr. Nass found that people who multitasked less frequently were actually better at it than those who did it frequently. He argued that heavy multitasking shortened attention spans and the ability to concentrate.
Maybe more practically, it’s just hard to argue America wouldn’t be in a better place right now if it wasn’t for Fox News and Facebook/Cambridge Analytica.
Maybe more practically, it’s just hard to argue America wouldn’t be in a better place right now if it wasn’t for Fox News and Facebook/Cambridge Analytica.
We absolutely would be, but not because they make people stupid. All they do is exploit vulnerabilities in our shitty brains that have always been there.
I guess it makes people stupid all in the same way, while they used to be stupid all in their own unique ways. The morons have organized, synchronized, and become weaponised.
Somehow I feel like they’re also dumber though - if everyone’s an idiot in their own way at least they’re original.
Maybe I read things too literally, but I thought “Fahrenheit 451” was about a governing class controlling the masses by limiting which ideas, emotions, and information were available.
“Brave New World” struck me as also about controlling the masses through control of emotions, ideas, and information (and strict limits on social mobility).
It’s been too long since I read “20,000 Leagues Under the Sea”, but I thought of it as a celebration of human ingenuity, with maybe a tinge of warning about powerful tools and the responsibility to use them wisely.
I don’t see a lot of altruistic behaviour from those introducing new technologies. Yes, there is definitely some, but most of it strikes me as “neutral” demand creation for profit or extractive and exploitive in nature.
On the other other hand, maybe we only understand the dangers of the Torment Nexus and use it responsibly because science fiction authors warned techy people who are into that subject about how it could go wrong, and the people who grew up reading those books went out of their way to avoid those flaws. We do seem to have a lot more of the technologies that sci-fi didn’t predict causing severe problems in our society.
But this is exactly contrary to my point, a science fiction author isn’t qualified or motivated to give a realistic “understanding” of the Torment Nexus. His skillset is focused on writing stories and the stories he writes need to contain danger and conflict, so he’s not necessarily going to interpret the idea of the Torment Nexus in a realistic way.
I think you don’t understand what motivates a lot of science fiction authors. Sure, there are a lot of science fiction novels that are really just science themed fantasy, but there are also a lot of authors that love real science and are trying to make stories about realistic interpretations of its potential effects. To say that science fiction authors don’t care about interpreting the Torment Nexus in a realistic way misses the entire point of a lot of really good science fiction.
[Sarcasm] Unlike companies, which are apparently altruistic organizations that exist for the betterment of humanity! It’s all those fools who keep yelling “companies exist to make money” who are wrong. Yeah, that must be it. Tech companies charge because they’re good, whilst various writers give away some, much, most, or all of their work because they’re evil! Sharing is DEATH, kids!
Sorry, I went off a bit there because I’m frustrated at how committed you are to your bad ideas. Also textbooks also have to be sold, at least here in the US where many are (were?) tailored to the anti-education pro-horsecrap preferences of Texas.
Side thing: I’m becoming increasingly convinced that FaceDeer as an account/persona/whatever exists specifically to be mildly irritating. Is that true? Would you admit it if it were?
Nope. Isaac Asimov was a biochemist, why would he be particularly qualified to determine whether robots are safe? Arthur C. Clarke had a bachelor’s degree in mathematics and physics, which technology was he an expert in? Heinlein got a bachelor of arts in engineering equivalent degree from the US Naval Academy, that’s the closest yet to having an “understanding of technology.” Which ones did he write about?
Those were a list of authors who were pretty good at getting the science in their sci fi right. They talked to scientists working on the fields they wrote about. They wrote “hard” sci fi
You cannot judge their competence by their formal education
Well, I also am “pretty good” at getting the science right when I write sci fi. Makes me just as qualified as them, I guess.
The problem remains that the overriding goal of a sci fi author remains selling sci fi books, which requires telling a gripping story. It’s much easier to tell a gripping story when something has gone wrong and the heroes are faced with the fallout, rather than a story in which everything’s going fine and the revolutionary new tech doesn’t have any hidden downsides to cause them difficulties. Even when you’re writing “hard” science fiction you need to do that.
And frankly, much of Asimov, Clarke and Heinlein’s output was very far from being “hard” science fiction.
When they imagine a new technology they aren’t going to get paid unless they come up with a story in which that new technology poses some kind of threat that the heroes need to overcome.
We have all of those things and the dystopic predictions of the authors who predicted them haven’t come remotely true. All of these examples prove my point.
We have autonomous weaponized drones and they aren’t running around massacring humanity like the Terminator depicted. Frankly, I’d trust them to obey the Geneva Conventions more thoroughly than human soldiers usually do.
We have had mass surveillance for decades, Snowden revealed that, and there’s no totalitarian global state as depicted in 1984.
We’ve had nuclear weapons for almost 80 years now and they were only used in anger twice, at the very beginning of that. A good case can be made that nuclear weapons kept the world at large-scale peace for much of that period.
Various companies have made attempts at “Corporate controlled hypercommercialized microtransaction-filled metaverses” over the years and they have generally failed because nobody wanted them and freer alternatives exist. No need to ban anything.
Netflix’s Squid Game is not a “real-life” Squid Game. Did you watch Squid Game? That was a private spectacle for the benefit of ultra-wealthy elites and people died in them. Deliberately and in large quantities. Netflix is just making a dumb TV show. Do you really think they’d benefit from massacring the contestants?
"MoviePass to track people’s eyes through their phone’s cameras to make sure they don’t look away from ads” - ok, let’s see how long that lasts when there are competitors that don’t do that.
“Soulless AI facsimile of dead relatives” - firstly, please show me a method for determining the presence or absence of a soul. Secondly, show me why these facsimiles are inherently “bad” somehow. People keep photographs of their dead loved ones, if that makes you uncomfortable then don’t keep one.
Each and every one of these technologies were depicted in fiction over-the-top unrealistic ways that emphasized their bad aspects. In reality none of them have matched those depictions to any significant degree. That’s my whole point here.
So tell me, what part of their creation was “solving real-world problems” beyond playing to the desires of autocrats and control freaks? What part of their creation was a net positive to society? Or are you happy to live in a world of autonomous drone strikes on weddings and kindergartens, mass surveillance, a thermonuclear sword of damocles hanging over all of humanity, and so on?
Autonomous weaponized drones are useful for fighting wars more effectively, and with fewer lives placed at risk using manned platforms. You may not like that wars are fought, but they will be fought regardless. Drones solve problems that arise in war-fighting.
Likewise, mass surveillance solves problems faced by intelligence agencies. It’s also useful for things like marketing studies, medical studies, all kinds of such things. And again, you may not like some of these problems being solved, but they’re real-world problems that are being solved.
Nuclear weapons have kept the world’s superpowers at bay from each other. They’ve stopped “world wars” from happening. They don’t stop all wars from happening, but there haven’t been any major direct clashes between nuclear-armed powers since their invention.
Those metaverses and reality TV shows are entertainment. They are aimed at entertaining people.
MoviePass’ ad system is an effort to monetize entertainment, allowing for more to be made.
AI facsimiles of dead relatives are for psychological purposes - helping people work through grief, helping people relive fond memories, providing emotional support, and so forth.
There you go, real-world problems they’re all there to solve. And none of them are dystopic nightmares as depicted by the science fiction scenarios you listed, which is the main point I’m making here.
Science fiction authors got their predictions wrong. They spun nightmare scenarios because that’s what makes for compelling drama and increased sales of their books or shows. They’re not good bases for real-world decision-making because they’re biased in incorrect directions.
Tech companies … goal isn’t just to recreate something from a sci-fi novel for the sake of it; rather, they are motivated by solving real-world problems.
This is so naively wrong it’s laughable. Ever heard of profit motive?
Speaking of Fahrenheit 451, weren’t there seashells mentioned in that book? Little devices you could stuff in your ears to play music? And those ended up being uncannily similar to the wireless earbuds we have today?
There are some good ideas in this comment, but I’d like to counter that the cautionary tales are an instigating factor in implementing safety for new tech. The wealthy few shouldn’t get to blindly and unilaterally decide the future of all through careless and unrestricted development of world-altering tech.
This is superficially funny, of course. But I’ve seen it before and after thinking about it for a while I find myself coming to the defense of the Torment Nexus and the tech company that brought it into reality.
Science fiction authors are not necessarily the best authorities when it comes to evaluating the ethical or real-world implications of the technologies they dream up. Indeed, I think they are often particularly bad at that sort of thing. Their primary goal is to craft captivating narratives that engage readers by introducing conflicts and dilemmas that make for compelling stories. When they imagine a new technology they aren’t going to get paid unless they come up with a story in which that new technology poses some kind of threat that the heroes need to overcome. The dark side of these technologies is deliberately emphasized by the authors to create tension and drama in their stories.
Tech companies, on the other hand, have an entirely different set of considerations. Their goal isn’t just to recreate something from a sci-fi novel for the sake of it; rather, they are motivated by solving real-world problems. They wouldn’t build the Torment Nexus unless they figured that they could sell it to someone, and that they wouldn’t get shut down for doing something society would reject. There are regulatory frameworks around this kind of thing.
If you look back through older science fiction you can find all sorts of “cautionary tales” against technologies that have turned out to be just fine. “Fahrenheit 451” warned against the proliferation of television entertainment, but there’s been plenty of rich culture developed for that medium. “Brave New World” warned against genetic engineering, but that’s turned out to be a great technology for curing diseases and improving crop yields. The submarine in “20,000 Leagues Under the Sea” was seen as unstoppable and disruptive, but nowadays submersibles have plenty of nonmilitary applications.
I’d want to know more about what exactly the Torment Nexus is before I automatically assume it’s a bad idea just because some sci-fi writer claimed it was.
I was still a teen when I read the book, but that wasn’t really my take from it when I read it. We are still far away from genetically designing human babies. And you also overlooked the part about oppression/control via distractions such as drugs and entertainment.
Actually we’re not, it’s just illegal.
Iirc we have also removed genetic anomalies from fetuses, too.
My takeaway from BNW was a warning against blindly embracing a society built only on good feelings and numbing anything that forces us to confront pain. The oppression was more or less a side effect of it.
Everyone in the upper classes were okay that lower classes were being oppressed because they all were just as happy thanks to Soma. The pain of the outsiders didn’t mean anything because they “chose” to live like that.
Genetic engineering was just a plot device to explain how the classes were chosen.
The brilliant thing in Brave New World was that it didn’t at any point make it obvious that people were miserable slaves - they could leave any time they wanted, and lived a life of bliss. Still, as a reader, you end up feeling like you’d rather take the place of the savage than any of the characters living in the hypercommercial utopia. At least that’s how I felt.
I haven’t read it in a while, but I kind of took the genetic engineering as a metaphor for being forced into the role/ class the ruling body wants you to be in
Well that just makes it even less useful as a realistic “cautionary tale”, if the technology is just a metaphor.
Just because some tech bros can make money from the Torment Nexus it does not become a good idea. Profit is not a great judge of ethics and value.
And just because a sci-fi writer can make up a horrifying story of the Torment Nexus gone wrong doesn’t make it a bad idea. Making up horrifying stories of things going wrong is their job. They’ve make up stories of how things go horrifyingly wrong while doing research into a cure for Alzheimer’s disease, doesn’t mean curing Alzheimer’s disease is a bad thing.
I stopped reading when you said the goal of tech companies is to solve real world problems. The only goal of tech companies is to create products that will make them a profit. To believe anything else is delusional. That’s kind of why our society is crumbling and the planet is dying.
Then I advise reading the rest. You don’t make profit if you don’t solve a problem people have.
May I introduce you to the world of insurance companies?
Most of the “solutions” sold by companies are for artificial problems created by companies.
Yes, but by other companies. Those problems are not created intentionally in order to create and exploit a market, they’re just consequences of those other companies doing business. Pretty much the only example of companies creating problems so that they can sell solutions I can think of is free-to-play games (e.g. make game excessively grindy on purpose to sell boosters). Some of that scummy monetization is now creeping into real-world products, with things such as subscription-based heated seats that are installed in your car regardless but disabled unless you pay up, but the vast majority of products and services on the market address problems that were not created by their manufacturers/providers.
Go back to living in a cave and then count the number of problems you have left, I bet there will be tons.
Don’t worry, in a few decades that’s where we’ll all be, you included. Assuming we survive the corporate-induced famines, anyway.
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I think you’re either operating on a very deep level of irony or proving OP right.
Palantir exists, every cyberpunk warned us, and it’s definitely not going to be good for the average person
They named it Palantir! The thing that was awesome that everyone then had to stop using because someone ruined it for everyone else.
they kneeeeeeewwwwwwww!!!
It’s Peter thiel’s surveillance company. It’s just open and blatant
He’s a LotR nerd btw. He definitely knows.
We are communicating right now over a medium that those “cyberpunks” warned us about.
“Cyberpunks” weren’t warning us about the internet - they were warning us about the corporations who will control it, and through it, us. We are trying explicitly not to communicate on that medium by using Lemmy (that medium encompasses Reddit, X, the various properties of Meta and Alphabet)
Science fiction mentioning a technology, even centering around it, doesn’t mean it’s saying the technology is universally bad. The author highlights the dangers, but the tech itself is almost always portrayed as neutral. It’s the people who use it to nefarious ends that science fiction is warning us about.
Like the people who would seek to profit off of the Torment Nexus.
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The concept of the “Torment Nexus” is a placeholder for any technology specifically described as dystopian or otherwise contributing to suffering in fiction, such as mass surveillance, mind control technology, and so on. The meme refers to modern-day corporations missing the point of the fiction, and creating said “Torment Nexus” as something they view as “cool” and “futuristic”. In some cases, the companies are self-aware enough to not pretend that their creation is anything other than dystopian, but in many cases they try to sell the new technology to the public as a good thing despite that very tech being described as dystopian already.
And look at how much harm this medium has done to the world in addition to all the good.
It is very bittersweet.
NO cyberpunk was afraid of the fucking internet. The problem has always been the economic mode of production underlying it, which is unironically dystopian. Also the tech world we live in is PRETTY fucking dystopian, get your head out of your ass.
I don’t presume to know your life, but in my experience, it’s not dystopian if you live in the real world too. Unless you just meant climate change.
Television and increasingly digestible media is turning our brains to mush. If someone had the imagination to write a sci-fi novel about Fox news and the rise of Trump, they would have.
Genetic engineering is enabling us to harvest monocultures that completely fuck up the ecosystem, in the long run not only underlining important dynamics such as species needed for polluting plants, but also the very soil on which they grow.
It’s been a while since I read Brave New World, but that also didn’t stand out to me as the most central part of his critique to me. In my reading it was about how modern society was going to turn us into essentially pacified consumer slaves going from one artificial hormonal kick to the other, which seems to be what social media is for these days.
Things that seem like short term good ideas, and certainly great business ideas, might fuck things up big time in the long run. That’s why it’s useful to have some people doing the one things humans are good at - thinking creatively - involved in processes of change, and not just leave it to the short term interests of capital.
You kidding, right? Those stories have been dime a dozen since the late 90s at least.
24 warned us about having an evil, terrorist US president. As have done a few movies in the past. Streaming platforms were pretty much masturbating themselves over “Confederate US AU” script offerings as early as 2014. Not to mention the nowadays trite trodden trope of “Nazi US AU”.
Heck, you don’t even need fiction. Chile’s cup in 1973 was paid for by the CIA as a social experiment to produce the rising and establishment of a dictatorship.
I was referring more to the plot of brain-dead cable and social media algorithms fuelling the death of democracy. But you’re right, it’s probably been written many times - I’m not very knowledgeable of sci-fi, and there’s a lot of brilliant work out there. :)
You don’t need a sci-fi novel for that. History books are enough.
Well, Fox News, Facebook, Cambridge Analytica, and Twitter were a fresh twist. I guess all good scifi mirrors history in one way or another, just taken to the extreme with help of technology. :)
No it isn’t. Global connectivity is just putting a spotlight on the the fact that most people are and always have been fucking stupid and/or dangerously undereducated.
I mean, it’s a challenging hypothesis to prove. I might just be pessimistic.
I think there is some reason for valid concern though. The New York Times memoriam for Clifford Nass is an interesting and somewhat worrying read.
Maybe more practically, it’s just hard to argue America wouldn’t be in a better place right now if it wasn’t for Fox News and Facebook/Cambridge Analytica.
We absolutely would be, but not because they make people stupid. All they do is exploit vulnerabilities in our shitty brains that have always been there.
I guess it makes people stupid all in the same way, while they used to be stupid all in their own unique ways. The morons have organized, synchronized, and become weaponised.
Somehow I feel like they’re also dumber though - if everyone’s an idiot in their own way at least they’re original.
No, people aren’t stupid. On average, people are of average intelligence.
When you say “people are stupid,” you mean stupid compared to your expectations.
What you’re really saying is “Other people aren’t as smart as me.”
And maybe you’re right! In which case I’d like to bestow upon you the
First Annual Award for Excellence in Being Very Smart
May you continue to grace our internet with your wisdom.
Maybe I read things too literally, but I thought “Fahrenheit 451” was about a governing class controlling the masses by limiting which ideas, emotions, and information were available.
“Brave New World” struck me as also about controlling the masses through control of emotions, ideas, and information (and strict limits on social mobility).
It’s been too long since I read “20,000 Leagues Under the Sea”, but I thought of it as a celebration of human ingenuity, with maybe a tinge of warning about powerful tools and the responsibility to use them wisely.
I don’t see a lot of altruistic behaviour from those introducing new technologies. Yes, there is definitely some, but most of it strikes me as “neutral” demand creation for profit or extractive and exploitive in nature.
This guy just read all classic sci fi in a very tilted manner to justify his tech company doing stuff for the market that is actually good.
On the other other hand, maybe we only understand the dangers of the Torment Nexus and use it responsibly because science fiction authors warned techy people who are into that subject about how it could go wrong, and the people who grew up reading those books went out of their way to avoid those flaws. We do seem to have a lot more of the technologies that sci-fi didn’t predict causing severe problems in our society.
But this is exactly contrary to my point, a science fiction author isn’t qualified or motivated to give a realistic “understanding” of the Torment Nexus. His skillset is focused on writing stories and the stories he writes need to contain danger and conflict, so he’s not necessarily going to interpret the idea of the Torment Nexus in a realistic way.
I think you don’t understand what motivates a lot of science fiction authors. Sure, there are a lot of science fiction novels that are really just science themed fantasy, but there are also a lot of authors that love real science and are trying to make stories about realistic interpretations of its potential effects. To say that science fiction authors don’t care about interpreting the Torment Nexus in a realistic way misses the entire point of a lot of really good science fiction.
Which sort of author is the one who came up with the Torment Nexus?
Even the ones that are dedicated to realism still fundamentally need to sell stories. They’re not writing textbooks.
[Sarcasm] Unlike companies, which are apparently altruistic organizations that exist for the betterment of humanity! It’s all those fools who keep yelling “companies exist to make money” who are wrong. Yeah, that must be it. Tech companies charge because they’re good, whilst various writers give away some, much, most, or all of their work because they’re evil! Sharing is DEATH, kids!
Sorry, I went off a bit there because I’m frustrated at how committed you are to your bad ideas. Also textbooks also have to be sold, at least here in the US where many are (were?) tailored to the anti-education pro-horsecrap preferences of Texas.
Side thing: I’m becoming increasingly convinced that FaceDeer as an account/persona/whatever exists specifically to be mildly irritating. Is that true? Would you admit it if it were?
So Isaac Asimov, Arthur C. Clarke, and Robert A. Heinlein aren’t qualified to give understandings of the technologies they wrote about?
Nope. Isaac Asimov was a biochemist, why would he be particularly qualified to determine whether robots are safe? Arthur C. Clarke had a bachelor’s degree in mathematics and physics, which technology was he an expert in? Heinlein got a bachelor of arts in engineering equivalent degree from the US Naval Academy, that’s the closest yet to having an “understanding of technology.” Which ones did he write about?
Those were a list of authors who were pretty good at getting the science in their sci fi right. They talked to scientists working on the fields they wrote about. They wrote “hard” sci fi
You cannot judge their competence by their formal education
Well, I also am “pretty good” at getting the science right when I write sci fi. Makes me just as qualified as them, I guess.
The problem remains that the overriding goal of a sci fi author remains selling sci fi books, which requires telling a gripping story. It’s much easier to tell a gripping story when something has gone wrong and the heroes are faced with the fallout, rather than a story in which everything’s going fine and the revolutionary new tech doesn’t have any hidden downsides to cause them difficulties. Even when you’re writing “hard” science fiction you need to do that.
And frankly, much of Asimov, Clarke and Heinlein’s output was very far from being “hard” science fiction.
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That generally involves training across multiple disciplines.
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Literally anyone with intelligence and empathy is capable of giving a good understanding of the Torment Nexus
Don’t make one
It’s just got bad marketing. Should have called it something else.
You don’t read much sci fi, do you?
Are you telling me Star Wars isn’t a cautionary tale about lightsabers?
No, it’s a forewarning of the robot uprising
Droid lives matter
IG-88 was the John Brown of his time
How about the following examples:
We have all of those things and the dystopic predictions of the authors who predicted them haven’t come remotely true. All of these examples prove my point.
We have autonomous weaponized drones and they aren’t running around massacring humanity like the Terminator depicted. Frankly, I’d trust them to obey the Geneva Conventions more thoroughly than human soldiers usually do.
We have had mass surveillance for decades, Snowden revealed that, and there’s no totalitarian global state as depicted in 1984.
We’ve had nuclear weapons for almost 80 years now and they were only used in anger twice, at the very beginning of that. A good case can be made that nuclear weapons kept the world at large-scale peace for much of that period.
Various companies have made attempts at “Corporate controlled hypercommercialized microtransaction-filled metaverses” over the years and they have generally failed because nobody wanted them and freer alternatives exist. No need to ban anything.
Netflix’s Squid Game is not a “real-life” Squid Game. Did you watch Squid Game? That was a private spectacle for the benefit of ultra-wealthy elites and people died in them. Deliberately and in large quantities. Netflix is just making a dumb TV show. Do you really think they’d benefit from massacring the contestants?
"MoviePass to track people’s eyes through their phone’s cameras to make sure they don’t look away from ads” - ok, let’s see how long that lasts when there are competitors that don’t do that.
“Soulless AI facsimile of dead relatives” - firstly, please show me a method for determining the presence or absence of a soul. Secondly, show me why these facsimiles are inherently “bad” somehow. People keep photographs of their dead loved ones, if that makes you uncomfortable then don’t keep one.
Each and every one of these technologies were depicted in fiction over-the-top unrealistic ways that emphasized their bad aspects. In reality none of them have matched those depictions to any significant degree. That’s my whole point here.
So tell me, what part of their creation was “solving real-world problems” beyond playing to the desires of autocrats and control freaks? What part of their creation was a net positive to society? Or are you happy to live in a world of autonomous drone strikes on weddings and kindergartens, mass surveillance, a thermonuclear sword of damocles hanging over all of humanity, and so on?
Autonomous weaponized drones are useful for fighting wars more effectively, and with fewer lives placed at risk using manned platforms. You may not like that wars are fought, but they will be fought regardless. Drones solve problems that arise in war-fighting.
Likewise, mass surveillance solves problems faced by intelligence agencies. It’s also useful for things like marketing studies, medical studies, all kinds of such things. And again, you may not like some of these problems being solved, but they’re real-world problems that are being solved.
Nuclear weapons have kept the world’s superpowers at bay from each other. They’ve stopped “world wars” from happening. They don’t stop all wars from happening, but there haven’t been any major direct clashes between nuclear-armed powers since their invention.
Those metaverses and reality TV shows are entertainment. They are aimed at entertaining people.
MoviePass’ ad system is an effort to monetize entertainment, allowing for more to be made.
AI facsimiles of dead relatives are for psychological purposes - helping people work through grief, helping people relive fond memories, providing emotional support, and so forth.
There you go, real-world problems they’re all there to solve. And none of them are dystopic nightmares as depicted by the science fiction scenarios you listed, which is the main point I’m making here.
Science fiction authors got their predictions wrong. They spun nightmare scenarios because that’s what makes for compelling drama and increased sales of their books or shows. They’re not good bases for real-world decision-making because they’re biased in incorrect directions.
This is so naively wrong it’s laughable. Ever heard of profit motive?
“Not super rich enough” is a real world problem, smh my head.
You can profit off of real-world problems.
Speaking of Fahrenheit 451, weren’t there seashells mentioned in that book? Little devices you could stuff in your ears to play music? And those ended up being uncannily similar to the wireless earbuds we have today?
There are some good ideas in this comment, but I’d like to counter that the cautionary tales are an instigating factor in implementing safety for new tech. The wealthy few shouldn’t get to blindly and unilaterally decide the future of all through careless and unrestricted development of world-altering tech.
Gene Rodenberry’s star trek ethos says otherwise
Gene’s star trek ethos is a message
You have not understood the books to which you refer.