WARNING: Spoilers ahead…on a story 2.5 millennia old.
Finally got around to watching it this weekend. After the Mt. Everest sized stack of cash it made and all of the glowing reviews, honestly, it was pretty underwhelming.
First thing’s first. The dialogue was AAAAAAAAAWFUL. Seriously? What the hell? It sounded like I was listening to dialogue written by a small team of junior high students. And not the junior high students that take honors English. I was fine with the choice to do American accents, although I would have preferred British accents for a movie like this cuz it just sounds classier. But that wasn’t it. It was the actual words used by the actors to communicate to each other. It was just so dumbed down and sounded so boring and basic. I’m assuming it was a choice made on purpose to maybe connect with as many modern English speakers as possible, but it largely killed the film for me. I was actually kind of shocked how bad the dialogue was in this movie.
Another thing that kind of bothered me, although not nearly to the same degree as the dialogue, was over-acting. I felt like there were some performances that were dialed up a little too much. To the point where it kind of took me out of the film because I felt like I was watching an actor trying to shoot for an oscar a bit too hard. I think the main culprit on this one was Anne Hathaway. Alternatively, I think there was also an issue of under-acting. I’ll get to that below.
Pacing. Despite having 3 hours to tell the story, I kind of felt like some things were skipped over too quickly. Other things that they spent too much time on could have been shortened to allow more time for things I think deserved the time more. Scenes didn’t really punch the way I thought they should. In the book the scene where he comes back after 20 years and his dog is still alive but dies as he touches it and it recognizes him is really impactful, but it was just kind of glossed over in the movie with little to no emotion from Matt Damon. Same with Odysseus finding out Calypso had trapped him on the island for years. Not a lot of emotion there. Actually, I think the only scene Damon really sold was the siren scene. He did the opposite of over-act for most of the movie.
The film looks great. Gotta give it that. The cinematography is solid. And I’m not saying the film was bad (other than the dialogue which was truly awful). I just don’t get the massive hype. Honestly, I still prefer the 90s made for TV version with Armand Assante. I think the dialogue was better. The acting was better. The pacing was better even though it’s almost exactly the same length as this new version. And they did it without the star-studded cast the new film has. Obviously the new version has better special effects, and I do think overall better cinematography. I acknowledge maybe there’s some rose-tinted glasses thing going for me with the 90s version as I grew up with it.
I guess I’d give this new version a B. Just a mid-range B. With a special handwritten in red ink note in the margins that the dialogue is an F.
Ok, crucify me now.
EDIT: You know what, I’d like to add a few things I did like, beyond the cinematography. I liked Odysseus’ monologue about the siren’s song. I liked his monologue about his point of view of his role in the war when he’s talking to his wife. I liked that Athena ended up being a ghost of someone he watched get murdered at Troy (although I do not like Zendaya as an actress).


Books can get away with things movies can’t. They’re two different forms of storytelling.
It was just cringe in this movie. It was too far beyond believable given all the other context of Odysseus throughout the movie. I think maybe it was also the way it was shot. Lots of quick cutting away, lots of people running around screaming in a relatively small room. No one actually stopping him. It just kind of broke any immersion the film had for me.
So the 1997 version is on YouTube. I just skipped to the same scene. It’s still kind of silly, but there are FAR less suitors in the room and his son helps slay the shit out of them. So I think part of what makes this scene bad in Nolan’s version is there are WAY too many of them in the room and Tom Holland spends the whole thing barely taking out one guy upstairs.
Even in the context of the nightly feasts, Nolan’s version has way, way too many suitors in that hall. Like, it doesn’t even make sense to be able to have a nightly feast for 20 years with that many freeloaders. The number should have been toned down and I think that would have solved the problem.
Batman naming every weapon that falls from the ceiling…
That scene was pure comedy