They made money off of their version of those works, yes. They’re quite different from the originals.
This is what I mean about our laws needing updating - time alone is not enough any more. We need to define levels of differentiation that are commercially acceptable. Right now, that essentially just includes parody, which clearly is not a thorough enough accounting of the many ways IP can be varied.
They made money off of their version of those works, yes. They’re quite different from the originals.
This is what I mean about our laws needing updating - time alone is not enough any more. We need to define levels of differentiation that are commercially acceptable. Right now, that essentially just includes parody, which clearly is not a thorough enough accounting of the many ways IP can be varied.
Why are you such a corpo boot licker? What exactly do we gain as a species by allowing companies to hoard IP of creators of which are long since dead?
Nek minnit you’ll be telling me I can’t put on a play from Shakespeare or recite Beowulf without paying some corporation a fee?
Seriously?
No actually I think plays should be free to use for amateurs, and only require licensing for paid performances, since we’re talking reforms.
Also why are you being an asshole for no reason?