In A1111 I combined three models,** animagineXLV3_v30, digitalLife_v12, and juggernautXL_v8Rundiffusion**

I built some custom styles that I used: Broken Pixel (I have 6 of these, all slightly different that I sometimes mix and match): Disintegration and Fragmentation: Unlike traditional pixel art, which typically features clean and grid-aligned pixels, this style shows pixels that appear to be breaking away or disintegrating from the main subject. This gives the impression of motion and decay, as if the digital image is being corrupted or affected by a glitch. Dynamic Flow: There is a sense of movement within the pixels. They often stretch, distort, or flow in a particular direction, as if affected by digital wind or force, creating a stark contrast with the static nature of traditional pixel art. Color Variation: The color palette often includes gradients and a wide range of hues that blend into each other, creating depth and complexity. This is in contrast to the more limited, solid color blocks of classic pixel art. Contrast with Realism: In many cases, the broken pixel style is combined with elements of photorealism or highly detailed digital painting, creating a striking juxtaposition between the crisp, detailed areas and the abstract pixelated parts. Three-Dimensional Effect: The pixels often vary in size and overlap each other, giving the illusion of a three-dimensional form breaking apart into the digital space. Strategic Placement: The pixelated effect is typically used in specific areas to draw attention or convey a message, while other parts of the image remain clear and detailed. Abstract Aesthetic: The overall look evokes a sense of abstraction, as the recognizable forms are deconstructed into a digital mosaic, challenging the viewer’s perception.

And I used one for impressionist paintings: a painting where the brush strokes in this style are typically bold and visible, often applied with a sense of immediacy. Artists in this style do not blend their brush strokes into a smooth, seamless texture but rather leave them distinct and noticeable. This technique adds a dynamic, textural quality to the painting, giving the impression of movement and vibrancy. Instead of relying on subtle gradations of tone or color, this style often employs pure, vivid colors applied directly from the tube. The colors are sometimes mixed on the canvas itself rather than on a palette, creating a fresh and spontaneous effect. The use of contrasting colors side by side can create a shimmering effect, adding to the vibrancy of the painting. Emphasize the effects of light and atmosphere. The bold brush strokes can be used to capture fleeting effects of sunlight and shadow, often changing the color and shape of objects in the painting. The focus is on capturing the impression of a moment, rather than a detailed, exact representation.

The prompt was: This digital artwork presents a dynamic and stylized depiction of a sunset scene over a busy highway. The sky is a canvas of deep purples, vibrant reds, and softer pinks, streaked with bold, painterly brushstrokes that give the impression of swift movement and a somewhat chaotic yet harmonious blending of colors. The setting sun is the centerpiece of the composition, depicted as a glowing, incomplete circular shape that emits an intense red and white light. Its form suggests a solar eclipse, with a dark disc at the center surrounded by a brilliant halo that bathes the clouds in a warm, luminous glow.

The highway below is captured in a blur of motion, indicating a high volume of traffic moving at great speed. Streaks of white and red lights represent the headlamps and tail lights of vehicles, creating a sense of unbroken flow that converges toward the horizon. This light trail effect adds to the overall dynamism of the piece, suggesting the constant energy and movement of life.

The landscape on either side of the highway is painted in darker tones, providing a contrast to the luminous sky and vibrant roadway. Sparse silhouettes that might be distant trees or structures line the horizon, adding depth and a sense of scale to the scene. There is a feeling of vastness, of looking at a wide, open space where the sky dominates and the human elements, while present, are secondary to the grandeur of the natural phenomenon unfolding above.

The brushwork is loose and expressive, with thick, textured applications of digital paint that mimic the style of traditional impasto techniques. This gives the image a tactile quality, as if the colors have been hastily yet deliberately smeared across the canvas. The overall effect is one of energy, emotion, and a slight abstraction that invites the viewer to focus not on the details but on the mood and movement of the piece. The artist’s signature is discreetly placed in the bottom right corner, a testament to their presence within the orchestrated chaos of color and light.