Despite rarely gaining accolades and praise from contemporary and mainstream film critics, Lucio Fulci is a name that needs little introduction among horror fans and aficionados of cult European cinema. Known for creating images of excessive violence that earned him the nickname the “godfather of gore,” Lucio Fulci spent much of his career pushing the envelope and, in many cases, tearing it completely to shreds.

Among the best-known contributions from the director is his Gates of Hell trilogy, consisting of The Beyond, City of the Living Dead, and The House by the Cemetery. All three took place in the United States and explored some of the horror traditions associated with their accompanying areas. Set in New Orleans, The Beyond embraces the Southern gothic horror tradition, and the City of the Living Dead contains a subtle nod to H.P. Lovecraft, with the film taking place in the town of Dunwich.

The House by the Cemetery, with its exterior shots being filmed in Scituate, Massachusetts, and the film taking place in and around Boston, makes full use of its location to weave a New England horror story influenced by H.P. Lovecraft’s writings. The House by the Cemetery, while featuring many of Fulci’s trademarks that fans of his films instantly recognize, such as quick camera zooms, close-ups of eyes, and depictions of unrestrained violence, is a tale of Victorian evil that exists within the landscapes of New England…