Ironically, those tools to filter out AI will also be AI. I do believe they’ll be necessary, but also what the fuck. It’s a bit like a bunch of people have decided to just piss all over the place, and rather than cleaning it up and putting an end to the rampant pissing, everybody’s just gonna end up putting on masks so they don’t have to smell it.

How much wiggle room is enough will obviously vary a lot by player, but I do truly find the older Souls games to have much more of it than people realize if you play smart. Even a little too smart in some cases.

But I feel you on the carpal tunnel. There are a few rhythm games I enjoy, but I can no longer play them on a moderate difficulty for more than an hour before the pain starts - and it takes a couple days to settle down again. I basically have to play on the lower difficulties or not at all. It was a sad day when I learned that.

Compared to most action RPGs, they’re notoriously more methodical and slower paced. But, they’re still action RPGs. Elden Ring leans more heavily towards the action where memorization and reaction times have the most influence on success. You have to learn the patterns, but good stats and gear can make it more forgiving when you make a mistake. DS leans more towards RPG, which makes it more flexible. You can play it as a pure action game and rely on good reflexes and pattern memorization, but you can also largely brute force it with a powerful character the same as many RPGs.

If you wanted to just mod Elden Ring into something more casual, the closest thing is the seamless co-op mod. But that would rely on having at least one friend to join you. It does drastically alter the balance, but I don’t think it would help the parts of the game that make it feel inaccessible if it’s a reaction time sort of thing that’s spoiling the game for you.

I myself have played nothing but slower paced and turn based games for the last couple years, so I get it. But I have had the Souls craving creeping up on me again recently.

I find their older titles more accessible because they were a bit lower budget, more experimental, and not trying so hard to cater to players who want the hardcore experience. That means the balance is all over the place, which can make the game stupidly hard if you just dive in unprepared. But it can also make the game fairly easy if you know how to cheese the bosses, where to find the OP gear, and what spots are good to quickly level up and just overpower the game. There’s nothing wrong with reading some wiki pages or watching videos ahead of time so you can play more optimally instead of floundering around and brute forcing your way through with an underpowered character.

Demon’s Souls can have long runs back when you die, but is extremely exploitable. DS1 can still be overleveled and you can sequence break to get OP gear, but there aren’t as many blatant boss exploits.

If you get really into it, you can always do challenge runs with certain restrictions, weapons, or builds. You can always make it harder to get the magic back - if the difficulty is part of the magic for you. If it’s not, then using strategy to make it easier is just improving your enjoyment.

I have never met my limit for how long I can go without human contact (outside of incredibly minimal “contact” such as posting here). I never measured specifically, but I know I’ve gone at least a month without contacting anyone and been perfectly content. When people were going nuts after a week of lockdown, I truly did not get it. I could have done that forever. I’d prefer it.

I might be kinda broken.

Oh please tell me it’s actually in the works. I want to switch to piefed but I’ve been a Boost user for years and every time I try to get used to something else I’m just reminded how much I like Boost.

The mute system is a little confusing. Basically, Twitch auto scans the video for what it thinks might be copyrighted audio, then it mutes that section for you to prevent you from getting a copyright strike. This is all automatic and set to extremely paranoid because when a big wave of copyright enforcement went around a few years ago, that was equally paranoid and ridiculous. People got copyright strikes for 2 second snippets of something you could barely hear in the background. It was bad.

But the auto mute isn’t a strike or even a warning. It’s no authority at all. It’s just a random automated guess at what companies might be looking for when doing their scans. It’s there to protect you in its weird and uncomfortable way.

You can dispute, but that puts the responsibility for any claims on you. You’re waiving the protection. It might be fine, but if it isn’t you suffer the consequences. So generally it’s usually not worth the risk to bother. But a mute is no big deal. It doesn’t hurt you or count against you in any way.

tl;dr: nobody is actually claiming that audio is copyrighted, except some robot scan thought it might be and better safe than sorry.

That AuDHD life

Nah, I’m AuDHD so my memory retains whatever tf random crap it wants and constantly forgets relevant things like my own address and what I was right in the middle of saying. But even if I could convince somebody, in my experience it still makes them uncomfortable. Or, it did enough times that it’s now lodged in my brain as something to put underneath the mask.

I often play dumb about little details I’ve noticed or remembered. I got in the habit when I was a kid and people would react weirdly like, “why do you know that?” So I’d just pretend I didn’t even when I did, and I never really stopped. I might notice what car somebody drives, for example, but if it comes up I just act like I don’t know unless they’ve specifically told me. I barely realize I’m doing it anymore.

Similar story here. It really sucks to feel like I’m still learning how to be a functional adult. I hope you keep making progress and celebrate all the little victories along the way.

If you like QfG, you might be interested in Heroine’s Quest: The Herald of Ragnarok on Steam. It was released for free and I imagine that hasn’t changed. But I still ended up donating because I enjoyed it so much.

I’m not normally one to point out a spelling mistake, but there is a very important difference between someone with deficits in lots of areas and someone who defecates in lots of areas.

Random thoughts in no particular order:

Circle of the Moon was actually not made by IGA. It was developed simultaneously by Konami Computer Entertainment Kobe while IGA worked on Harmony of Dissonance in Tokyo. However, to me Circle ironically feels closer to an IGAvania of the two while Harmony feels like IGA was trying to make something partway between Symphony and a classicvania.

Aria and Dawn are generally the best liked portable games, but OoE has a loyal following due to its much higher difficulty more reminiscent of the classic games.

Harmony of Despair is surprisingly enjoyable. Even if you missed the boat, it can still be enjoyed on a PS3 emulator with all the DLC and even online multiplayer. It’s honestly a blast.

There’s also a mobile game called Grimoire of Souls and, for the really obscure stuff, some Japan only Castlevania casino games.

Of the PS2 games, I remember quite enjoying Lament of Innocence and keep meaning to give it another play someday. The other one I forgot completely.

I’m looking forward to Bloodstained 2!

Edit to add one more: there’s a Sega Saturn version of Symphony of the Night where you can play as Maria. It’s Japan only, but a translation patch can be found online.

I see white/gold too, and this always fascinated me because I’m wrong. The real dress is black/blue. It’s very hard for me to perceive that way, partly due to the bad quality picture, and particularly the background lighting.

The gold is black and the white is a dark blue irl, but in the bad coloring/lighting of the picture, the deep blue is quite washed out. Know that the colors are very washed out, know that the “gold” is black. Focus on the lower left where the colors are closest to true and block out the rest, especially the bright parts. The thick black stripe in the middle can also be a good spot to start to see it.

Hot take: their older games are better and the newer ones get progressively worse. Demon’s Souls was a solid RPG with rough edges and an interesting, detailed world. Dark Souls improved on the world and exploration, but they also specifically started to cater to all the fans that loved how “difficult” Demon’s Souls was. Ironically, they were praised for making a game to their own vision without compromising just for the sake of popularity. But difficulty alone was never the main draw of Demon’s Souls or the strength of From Software as a developer. They always specialized in immersive, detailed worlds. But ever since Demon’s Souls, they’ve catered increasingly and exclusively to the get gud crowd because it’s obviously successful (and you can hardly blame them tbh). They’re succeeding off the reputation for not doing the thing that they’re doing.

All that said, Demon’s Souls and DS1 & 3 can be enjoyed by most players if you’re willing to play slowly, level build, and use cheese strategies. I can’t speak to 2, I kinda bounced off it (I’m sorry, Zin). The rest are much harder to enjoy solo without literally just getting good at the game, as per the memes. Co-op may be a different story, obviously. If you can get into the really old stuff, King’s Field (series), Eternal Ring, and Shadow Tower Abyss are actually really fun once you get accustomed to the jank. They have a lot of the charm of the souls games without all the annoying git gud crap. RIP, they shall be missed.

I’m in one of those story hyperfixations now and I’m legitimately scared of it ending. Finding it was my solution to a terrible slump I got stuck in. I finished a great game that hit just right, but there was nothing like it to follow up with. Now I’m several months and hundreds of hours into a massive series and I’m going to crash so hard when it’s over. But I don’t want to slow down either, so I’m just enjoying it while I can and barreling towards my own oblivion.

I’m somewhat validated to hear of somebody else having this nickname.

I think most people just truly don’t want to think that something bad is going to happen. So even the ones close to me that know my track record and have used the nickname still seem like they’re making a conscious choice to not deal with that information, even if that means being blindsided later while I sigh hard enough to eject my soul from my body.

Stories like this always make me think: that dude probably rarely thinks about what he did that day, but to the person writing the story it’s a treasured memory. We do countless kindnesses like this, big and small, then never think about them again or know how important they were to the person receiving them. It might be paying for somebody’s groceries, letting them go first when they’re in a hurry, or something you said without realizing the impact your words made.

I think about this because I’m one of many people that will scroll past a meme saying “you matter” and instantly know that it’s wrong. But this idea is the closest I get to seeing the truth in it. We’ll never know how many people are out there telling a story like this about us without even knowing our name. But they are out there - and that feels pretty nice to think about.

It’s internalized ableism related to being told their whole lives they’re so smart and talented if only they weren’t so lazy. We’re extremely capable - sometimes. The rest of the time we struggle at the most basic of everyday tasks that normal people find trivial. Now combine that with late diagnosis. That’s a lot of years being told you should be better and wondering why you’re not. At the very least, it’s an extremely specific kind of low self esteem.

It may not be solely caused by dopamine levels, but the experience is common among many ADHD sufferers and our brain chemistry does predispose us to responding to that in certain ways (which is why we can break out of that pattern more easily when medicated).