Budget: $120 million [source]
Opening weekend gross: $4 million
Factoring in marketing costs and the theaters taking their cut of the profits, Megalopolis would need to make at least $300 million to break even. I think it’s safe to say that’s not happening.
It would have been THE worst opening for a $100 million movie ever, had it not been for Pluto Nash’s horriffic opening 22 years ago.
Even The New York Times is reporting near-empty screenings of Megalopolis!
Pretty sad, this was apparently Coppola’s drram movie he always wanted to make
He sexually harassed extras on set. I’m glad this pretentious asshole loses his money.
I wonder if it’s any good, all I hear is how little money it made like that means anything to anyone but the producers.
The only people I have seen saying good things about it, are the same people who think hating what’s popular is a personality trait.
its annoyingly complex with little payoff. i know watching it a few times will bring it into focus, but thats a weird requirement.
It’s bad. If it was good, the story would have been pretty different.
Obviously some people will still like it. But even those will have to admit it’s an incredible mess, and it shows why no company wanted to invest in it.
https://wikiless.org/wiki/List_of_highest-grossing_films?lang=en
Clearly /s
My money is still on it being a masterpiece and people being morons.
I saw it hoping this was the case, but sadly it’s just not very good. I loved the visuals, the ambition, and his commitment to try and breakout of traditional storytelling methods, but the ham-fisted handling of the subject matter really ruined it for me. By all means see it for yourself and be your own judge but I wouldn’t go in expecting an underrated masterpiece.
Not really sad. Coppola is an artist, first and foremost, and he said that he doesn’t care whether the film will be financially successful. It is a passion project financed at least partially from his own money, and to be his magnum opus.
It’s bad. It’s bad and we’ve been knowing this for months, as it premiered in some festival.
It’s so bad no distributors wanted any piece of the cake (because the necessary costs are astronomical).
AFAIK, the movie received a 10-minute standing ovation at Cannes. It is an art film first and foremost, and probably not for the general audience that flocks to the same old, boring formulaic movies a la Marvel & co.
A 10-minute ovation is not a notable statistic at Cannes. The Beaver got a 10-minute ovation. I dare anyone to remember even one thing about The Beaver without looking it up.
Every movie at Cannes gets a ten minute standing ovation. That’s normal.
I’m excited to see this though. But I’m not going to go to the theatre for it.
Same here, and frankly I will never again think it is surprising that a theatrical release is underperforming. Doesn’t matter which film. Theaters are underperforming because of many factors.
I can buy my own copy of the film for less than it would take for me and one other person to see it together once in a theater.