Brazilian music is famous worldwide — from bossa nova, to choro, to samba.

Bossa is cool, choro is amazing, but my favorite things about samba is that despite being “pop music” it still has complex rhythms and harmonies.

My top favorite thing is the prevalence of the 7 stringed guitar and their use of counterpoints (i.e., parallel melodies).

I love how what (I think) started as guitarists just playing harmonies, turned into them improvising bass lines and counterpoints every once in a while, which eventually became them doing MOSTLY counterpoints and bass lines and barely playing the harmony lmao.

These bass lines and counterpoints, from what I understand, are often times arpeggiations of the chords and so forth, but they add such an amazing effect to the music.

Examples:

  • @[email protected]
    7•1 month ago

    I love many genres of music, so the open ended creativity in the downtempo electronic scene is where I usually find myself regularly being rewarded with something that feels new. Any genre or mix of many can be worked in and explored with the gloves off. And I love deep groovy bass work.

    • @timeisart
      2•1 month ago

      I also can’t get enough of electronic downtempo/chillout/lounge music, mainly prefer instrumental stuff but if it’s gotta have vocals then make them female. got any artist recommendations? I love all the old Pork Records stuff (Fila Brazillia, Baby Mammoth, Leggo Beast, Bullitnuts), and Elektrolux records (Fresh Moods, Guardner, Index ID, Naoki Kenji, The Sushi Club), Tosca, Kruder & Dorfmeister, Peace Orchestra, Nightmares On Wax, Bonobo, etc.