@[email protected] to xkcdEnglish • 6 days agoxkcd #3047: Rotary Toolxkcd.comexternal-linkmessage-square32fedilinkarrow-up1228arrow-down11file-text
arrow-up1227arrow-down1external-linkxkcd #3047: Rotary Toolxkcd.com@[email protected] to xkcdEnglish • 6 days agomessage-square32fedilinkfile-text
It was great until my thumb slipped and I accidentally launched my telescope into the air at Mach 8. https://explainxkcd.com/3047/
minus-square@[email protected]linkfedilinkEnglish20•edit-26 days agoEverything in XKCD is based on truth. That’s what makes it so funny… to geeks, at least. Edit: God damn it, he put 72 instead of 78 RPM. I guess he does make mistakes after all…
minus-squareSanguineParlinkEnglish16•6 days agoHe also put 33 instead of 33 and ⅓. Get the pitchforks!
minus-square@[email protected]linkfedilinkEnglish9•5 days agoJust a random thought, I always knew that 33 multiplied by 3 is 99 and 33 1/3 multiplied by 3 is 100, but I never considered that 33 is 99% of 33 1/3.
minus-square@[email protected]OPlinkfedilinkEnglish7•6 days agoHe’s made typos a few times in the past too: https://explainxkcd.com/wiki/index.php?search=typo&title=Special%3ASearch&go=Go
minus-square@[email protected]linkfedilinkEnglish4•6 days agoI mean, technically, the record will play just fine. Everything will be slightly slower and lower pitched, but it’ll work. Think doom metal meets 1930s jazz.
Everything in XKCD is based on truth. That’s what makes it so funny… to geeks, at least.
Edit: God damn it, he put 72 instead of 78 RPM. I guess he does make mistakes after all…
He also put 33 instead of 33 and ⅓. Get the pitchforks!
Just a random thought, I always knew that 33 multiplied by 3 is 99 and 33 1/3 multiplied by 3 is 100, but I never considered that 33 is 99% of 33 1/3.
Woah…
He’s made typos a few times in the past too: https://explainxkcd.com/wiki/index.php?search=typo&title=Special%3ASearch&go=Go
I mean, technically, the record will play just fine. Everything will be slightly slower and lower pitched, but it’ll work. Think doom metal meets 1930s jazz.