I’ve been a swiftie since Red era and I haven’t really thought about this until now… I’m a big fan of several bands and artists who I even listen more than TS, but none of them produce the same amount of passion or love I feel for her. And it is not like a love in the romantic sense, it is something weird I cannot explain.

Like I normally don’t support the ideas of looking up to celebrities or artists because I think there’s just so much behind the scenes we don’t know, and in the end they’re also humans. But this logic just melts away in my mind for Taylor Swift. I’ve binged her entire concerts and sang along from my room, teared up just watching her in live streams, and also I’ve felt proud for her when she gets an award or when she is recognized in some way. Also it is just so cute when she’s just literally being herself, and I just cannot explain the warmth I feel I’m my heart when that happens.

I like literally feel myself like the most serious, skeptic, dead inside person within my social group, yet my passion and love for TS overcomes all that.

Now with the Eras Tour I think there’s been a lot of coverage of the fandom and how some of us behave to some (sometimes not very nice) extremes just to maybe see her, and it made me think that is not just me who feels this love for someone who doesn’t even know I exist.

My theory is that the feelings she portrays on her music have resonated with a lot of us to a personal level, to the point we feel identified with her. Myself I cannot put a finger in the exact set of songs that made me feel this, but it’s the best explanation I can give myself.

Anyone else?

  • @[email protected]
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    11 year ago

    let’s not even start about how capitalistic she is with 18 versions of one album.

    I think it says more that she recreated the albums to regain her rights of ownership. Yes, that is capitalism, but I think it’s better that she gets a say than the record companies for a contract she signed early in her career. It would be better if she used that position to relax the copyright and encouraged derivative works, but I’d rather she has that control than the labels.

    • @[email protected]
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      21 year ago

      Everyone is onboard for the rerecord. I think Scrubs is talking about how she’ll release an album these days, wherher re-record or original, and have an overwhelming amount of slightly different versions with slightly different bonus tracks.

      See this chart that had to be made just to clear it up for midnights:

      Midnights bingo

      She’s incredibly savvy, and it’s working for now, but I do wonder if there will start to be any fan pushback on the alternate version overload.

      • ScrubblesM
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        11 year ago

        Yeah this is what I was referring to. I bought at least 5 different copies of that album because she kept only releasing some songs on some versions. Taylor, I love you, but please just let me buy one version with everything. I’d even pay a premium for thay

        • @[email protected]
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          11 year ago

          I didn’t know. With the MP3/Streaming era, albums aren’t what they used to be. That isn’t to say that an artist and record producer won’t put together a selection of tracks in a specific order to evoke emotion beyond the tracks themselves, but the era of the opera is mostly past; no more Tommy, or The Wall. Most people who listen to an artist today are going to acquire just the songs they want to hear and not the set. I wonder if it isn’t more of a strategy to encourage fans to buy a/any complete album, instead of a selection of individual tracks? Hearing something on a full album you might not hear otherwise could be intended as a reward, rather than a gotta collect them all game of encouragement.