Salo was for a long time the ultimate clout getter in conversations about fucked up films. A Serbian Film shit all over that upon its release. I actually think Salo is a bit interesting as a commentary on power and abuse, if not completely over the top, but ASF has little if any redeeming value. If it is trying to make any point it completely fails in making it because the content of the story is so awful It’s impossible to reflect on what that could even be.