Existing licensees are grandfathered.

  • etherphon@piefed.world
    link
    fedilink
    English
    arrow-up
    29
    ·
    2 days ago

    Really sad how companies went from making money by innovating to making money from being shitty patent trolls. Dolby have any engineers left or is it all lawyers?

    • baguettefish@discuss.tchncs.de
      link
      fedilink
      English
      arrow-up
      11
      ·
      1 day ago

      dolby technologies aren’t even the most advanced, they’re just the most marketed, most expensive, most cutthroat in the industry

      • etherphon@piefed.world
        link
        fedilink
        English
        arrow-up
        5
        ·
        1 day ago

        mm, I never really thought about that, they were just always a name in audio ever since cassette tapes for me. It’d be a shame if they had anything to do with what happened to E-mu/Ensoniq and then Creative Labs as they had so many great technologies and ideas. Consumer audio is pretty dull now honestly.

  • BlackLaZoR
    link
    fedilink
    English
    arrow-up
    22
    ·
    2 days ago

    I thought h.264 patents are expired

    Edit: it was patented in 2003, so 20 year period is gone already

    • Caveman
      link
      fedilink
      English
      arrow-up
      16
      ·
      2 days ago

      Wikipedia covers it nicely:

      Since the first version of the standard was completed in May 2003 (22 years ago) and the most commonly used profile (the High profile) was completed in June 2004[citation needed] (21 years ago), some of the relevant patents are expired by now,[75] while others are still in force in jurisdictions around the world and one of the US patents in the MPEG LA H.264 pool (granted in 2016) lasts at least until November 2030.

      https://en.wikipedia.org/wiki/Advanced_Video_Coding?wprov=sfla1

      • BlackLaZoR
        link
        fedilink
        English
        arrow-up
        7
        ·
        2 days ago

        Neither do I. Most of h264 is either open domain now or it will be very soon

  • pricklypearbear
    link
    fedilink
    English
    arrow-up
    120
    ·
    2 days ago

    Hope this pushes the royalty-free alternatives more. That’s a crazy jump.

    • VibeSurgeon@piefed.social
      link
      fedilink
      English
      arrow-up
      73
      ·
      2 days ago

      AV1 already wins handily as a codec, and the only thing keeping it from being adopted more broadly than is currently the case is lack of hardware decoders on older hardware. This problem naturally solves itself as old hardware gets replaced.

      Even then, dav1d is a remarkable piece of software, and software decoding is pretty viable for AV1 thanks to it. Many places have already adopted AV1, and you should expect to keep seeing it get adopted as time goes on.

        • VibeSurgeon@piefed.social
          link
          fedilink
          English
          arrow-up
          33
          ·
          2 days ago

          These things always happen because of how dumb software patents are. There’s no guarantee the lawsuit will stick, nor do I necessarily expect it to

          • deadbeef79000@lemmy.nz
            link
            fedilink
            English
            arrow-up
            15
            ·
            2 days ago

            It’s even worse than that: the USPO abrogated their responsibility to evaluate patents for prior art and conflict with other patents to the courts.

            So they just issue patents willy nilly and expect courts to decide which ones ‘win’.

      • plz1
        link
        fedilink
        English
        arrow-up
        10
        ·
        2 days ago

        Better hardware encoder support would help, too. It’s insanely inefficient to encode without that dedicated hardware, compared to h264/h265, where dedicated hardware support is there.

        I was hoping Apple would add it when they shipped the M4, and now M5, but nope.

        • VibeSurgeon@piefed.social
          link
          fedilink
          English
          arrow-up
          11
          ·
          2 days ago

          Hardware encoder support I think is generally less critical. Decoding is the process that needs to happen real-time, while most encoding can be done far in advance, unless you’re live broadcasting or operating at YouTube-scale.

            • VibeSurgeon@piefed.social
              link
              fedilink
              English
              arrow-up
              2
              arrow-down
              1
              ·
              1 day ago

              It depends on what the receiving unit can decode. Sometimes there will be transcoding, but it’s usually something you want to avoid.

          • plz1
            link
            fedilink
            English
            arrow-up
            2
            ·
            2 days ago

            While I agree, my point was that encoding needs to be more efficient, both in time, and resource consumption. That isn’t quite there yet, for AV1. It is improving, albeit slowly.

              • plz1
                link
                fedilink
                English
                arrow-up
                2
                ·
                1 day ago

                It’s too bad the GPU prices are utter insanity due to the LLM pyramid scheme poaching global RAM. I read an article yesterday that said Apple is likely eating that RAM overhead as a loss to ensure their long term strategy.

          • ayyy@sh.itjust.works
            link
            fedilink
            English
            arrow-up
            17
            ·
            1 day ago

            MKV is a container format for bundling together streams of audio, video, and text. It does not provide the actual video compression, which is still typically h.264 or h.265.

          • Kazumara@discuss.tchncs.de
            link
            fedilink
            English
            arrow-up
            6
            ·
            1 day ago

            The other answer you got hits it on the head already.

            Here’s an additional piece of info you might like: The webm container format is actually a specific subset of Matroska. The big players in the web recognised that it was a very useful open container format and adopted it for the web. They took a subset to make implementation in browsers easier and more uniform.

        • boonhet@sopuli.xyz
          link
          fedilink
          English
          arrow-up
          3
          ·
          2 days ago

          Didn’t Dolby just sue Snap for using AV1? Claiming it uses similar techniques to h264 or 265 or something?

          • Kazumara@discuss.tchncs.de
            link
            fedilink
            English
            arrow-up
            3
            ·
            1 day ago

            Shit I hadn’t heard of that. That makes me sad. I know from reading developer blogs at the time that they tried to use less established techniques in some places to try and avoid similarities. Let’s hope it proves to be enough in the lawsuit. That would be horrible if some dusty encumbant can crush the new codec at a critical time of its global adotion.

          • pricklypearbear
            link
            fedilink
            English
            arrow-up
            4
            ·
            2 days ago

            Believe its similar techniques to h.265 for AV1. That’s still going on…not sure if it will go anywhere.

    • schnurrito@discuss.tchncs.de
      link
      fedilink
      English
      arrow-up
      14
      ·
      2 days ago

      I still wonder why video is about the only thing for which a restricted format is still the “industry standard”?

      We nowadays take photos in JPEG or WebP format, draw raster images in PNG or WebP format, vector graphics in SVG format, our documents are PDF or OOXML or ODF or HTML, all of which are (at least technically) open standards. Video is the only thing that still mostly runs on formats with restrictive patents.

  • Korkki@lemmy.ml
    link
    fedilink
    English
    arrow-up
    65
    arrow-down
    1
    ·
    2 days ago

    4500% increase

    Absolute financial parasitism. This is why we can’t have nice things. People who own a license of something critical can just sit on their asses decades on end and collect unearned income from other companies who will in turn move to cost to the consumers.

      • stormeuh
        link
        fedilink
        English
        arrow-up
        9
        arrow-down
        1
        ·
        2 days ago

        More specifically late-stage capitalism. This is a classic example of rent-seeking by a capitalist who has cornered a market.

    • Evotech
      link
      fedilink
      English
      arrow-up
      6
      arrow-down
      1
      ·
      2 days ago

      Well it’s their developed tech and they see streaming sites raise their prices and rake money.