The Picard ManeuverM to TenForward: Where Every Vulcan Knows Your Name • edit-26 months agoData is becoming too smart for his own goodimagemessage-square61arrow-up1483arrow-down18
arrow-up1475arrow-down1imageData is becoming too smart for his own goodThe Picard ManeuverM to TenForward: Where Every Vulcan Knows Your Name • edit-26 months agomessage-square61
minus-squareFlying SquidMlink8•6 months agoHey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
minus-squareThe Picard ManeuverOPMlink7•6 months agoIt’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters. I guess they were thinking that classical and jazz seem a little more timeless?
minus-squareFlying SquidMlink12•6 months agoI think it was more likely a licensing issue. Most classical music and many jazz standards are public domain. I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
Hey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
It’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters.
I guess they were thinking that classical and jazz seem a little more timeless?
I think it was more likely a licensing issue. Most classical music and many jazz standards are public domain.
I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
Worf’s jam was Klingon opera in DS9