The Picard ManeuverM to TenForward: Where Every Vulcan Knows Your Name • edit-29 months agoData is becoming too smart for his own goodimagemessage-square60arrow-up1483arrow-down18starcopymore-verticalflagCreate ReportslashBlock user
arrow-up1475arrow-down1imageData is becoming too smart for his own goodThe Picard ManeuverM to TenForward: Where Every Vulcan Knows Your Name • edit-29 months agomessage-square60starcopymore-verticalflagCreate ReportslashBlock user
minus-squareThe Picard ManeuverOPMlink7•9 months agoIt’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters. I guess they were thinking that classical and jazz seem a little more timeless? arrow-up18arrow-down11file-textreply1starmore-verticalmailMessageflagCreate ReportslashBlock user
minus-squareFlying SquidMlink12•9 months agoI think it was more likely a licensing issue. Most classical music and many jazz standards are public domain. I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap. arrow-up113arrow-down11file-textreply1starmore-verticalmailMessageflagCreate ReportslashBlock user
minus-square@[email protected]linkfedilink7•9 months agoWorf’s jam was Klingon opera in DS9 arrow-up17arrow-down10file-textreply1starmore-verticalmailMessageflagCreate ReportslashBlock user
It’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters.
I guess they were thinking that classical and jazz seem a little more timeless?
I think it was more likely a licensing issue. Most classical music and many jazz standards are public domain.
I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
Worf’s jam was Klingon opera in DS9