YouTube demonetizes public domain ‘Steamboat Willie’ video after copyright claim::undefined

  • @RedditWanderer
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    2101 year ago

    The article hides it in the update.

    This feels significant: Disney has officially retracted a copyright claim on a third-party’s Steamboat Willie video on YouTube.

    It’s not significant, that’s how it works. It went into the public domain and the copyright strike process took time to adjust. Disney was never going to fight this.

    • @dynamojoe
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      561 year ago

      Just as significant (and I suppose still pending) is whether YouTube has re-monetized the video. Systems fail and shit happens, and I’m glad to see that this was quickly un-struck, but it’s not all the way corrected until he’s making his $.0003 per view or whatever the payout is.

        • @[email protected]
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          361 year ago

          The thing about public domain is that anyone can do whatever they want. Youtube is still providing a service by providing storage, cpu and network to be able to stream the video and they are within their rights to charge for that service one way or another. Of course anyone can also offer that same service for free as it’s public domain.

          • @captainlezbian
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            91 year ago

            Yeah you can go out and buy a copy of Shakespeare’s work, it’s just that you can also go out and publish some too

        • @randomaccount43543
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          201 year ago

          Of course YouTube should be able to put ads on it. That’s public domain. You can do with it whatever you want.

        • @[email protected]
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          41 year ago

          YouTube should not be able to put ads on content they make available for you?

          Tell me, in your world, who pays for the low latency, high bandwidth, high availability streaming platform you consume video on?

          • @[email protected]
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            31 year ago

            You can’t argue with some of these anti-corporation people. I dislike greedy CEOs and shareholders as much as the next guy but a company hosting and streaming videos need some sort of revenue to keep those servers running.

          • JackGreenEarth
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            -31 year ago

            They should be allowed to try to put ads on, and I should be allowed to try and block them.

    • billwashere
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      1 year ago

      Hell half of these damn copyright claims are automated bots. I guess they forgot to turn this one off.

      • @[email protected]
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        181 year ago

        This is significant because this is the first time in the history of copyright bots that they’ve ever had to remove a work from the bot’s registry. Given how rarely it happens, the code to do that probably won’t even be worth the cost of writing for another decade or two: some guy at YouTube will just add a manual exception for that video. (And that’s assuming the best of intention and action from the copy-vio-bot sellers which is unlikely, given their existing behavior.)

        • @topinambour_rex
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          41 year ago

          Every year there is plenty of stuff, like movies which end in the public domain. Certainly not the first time. Just the first time you thought/heard of it

      • @RedditWanderer
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        81 year ago

        Exactly, Disney never intended to make trouble with this, and this isn’t a significant historical win for copyright activists.

    • @[email protected]
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      401 year ago

      It’s still significant because being demonetized kills a video in the algorithm and even if the claim is reversed you don’t get that back

      • @RedditWanderer
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        1 year ago

        The title/article isn’t about the damage its doing to people using it. It’s implying that Disney is going to actively give trouble to people using it, when it was nothing other than a mistake that was bound to happen anyway.

        I’m not saying it didn’t significantly impact the creator, I’m saying Disney backing off the bad claim is not significant. It’s what Disney was always going to do, it’s just that “Disney and youtube accidentally flag Steamboat Willie stuff” isn’t as clickbaity. .

    • Ephera
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      61 year ago

      Well, one problem is that YouTube’s whole “Content ID” process happens specifically outside of copyright law. Google will gladly take down videos without actual copyright problems and they actively shield trolls (normally, a wrong copyright claim is a crime), because it means they won’t have to go to court.

      So, it would theoretically be possible for Disney to continue the Content ID claims, even if they’d lose a copyright claim in court.
      Google would eventually tell them to fuck off, i.e. to take it to court, but only if the case is clear enough.

  • @_number8_
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    1 year ago

    there should be a mainstream video site that doesn’t respect copyright whatsoever

    lol i love that this inspired 20 downvotes. thank you for sticking up for our sacred, beloved DMCA

    • @AbouBenAdhem
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      1 year ago

      I think YouTube has made people forget how draconian the DMCA is. YouTube made a special deal with the studios where copyright disputes would be handled by takedowns and demonitization instead of lawsuits against individual posters—on any other site, posters could potentially be exposed to damages in the hundreds of thousands of dollars.

      • @Evilcoleslaw
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        231 year ago

        The DMCA is draconian but YouTube’s system is insidious. The DMCA forces YouTube to take down content upon receipt of a valid takedown notice but it also requires it to put the content back up within 10 days of a counter-notice, at which point if the original complaining party wants to do more they can take it to court.

        In contrast, YouTube’s content ID and manual copyright claim system can be more lenient in that it’s less likely to wind up in court as the rights holder can simply demonetize the content or divert monetization to them. However it’s open to a lot of fraud, abuse, conflicts of interest, and Kafkaesque appeals systems.

        I have a friend who has ~1M subscribers. He specifically licensed music from an artist for his video intro and outro. Now, every few months out of the blue he gets dozens to hundreds of Content ID claims from obscure music rights management companies who have added remixes of that work to their Content ID databases. Monetization is instantly diverted to these companies. He appeals. The money is not held in escrow pending appeal – the company gets to keep it no matter what. So the first couple of appeals get decided by the company claiming the content. Usually about a week or two later he gets actual YT support to help or he causes enough stink on social media that a YT rep will look at it and fix it. But he’s lost thousands of dollars over this shit.

        • @ikidd
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          61 year ago

          He should make DMCA requests to himself from an outside source so it pre-emptively locks up the request system.

          • @Evilcoleslaw
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            1 year ago

            Pretty sure the DMCA claims take the material down and give you a copyright strike. And not everyone has access to the other system that can affect monetization.

            The only example I’ve seen of this being possible is making some unique song/sounds and putting them in the video, signing up with one of the rights management companies that does have access, and then claiming your own content. Still not perfect as they take a fee and a cut of “recovery” iirc.

      • @grue
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        121 year ago

        The YouTube deal isn’t “instead” of the DMCA; it’s in addition to it. Copyright holders are free to bypass it if they like, and posters are (at least in theory) able to file a counterclaim against the takedown and force the copyright holder to use the DMCA process instead of letting Youtube have the final say.

    • @[email protected]
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      241 year ago

      I’m all for piracy of greedy corporate media, but copyright is an essential part of ensuring that artists retain control of their creations. If you throw the baby out with the bathwater, you harm independents who might be supporting meager lifestyles on the income from their art.

      This is not and never will be a black and white issue.

      • @TheGrandNagus
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        141 year ago

        Yup. If I write a book it wouldn’t be right for a publisher to steal it and sell it as their own.

        Current intellectual property laws are fucked, but I’m also tired of people who join the circlejerk of “all IP laws are bullshit and they all need scrapped”

        • Flying Squid
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          71 year ago

          Those are often the same people who say things like, “soon all of our books and movies will be made by AI, so artists will be obsolete” and mean it in a good way.

      • @tabular
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        1 year ago

        This is not and never will be a black and white issue.

        A great phrase to say but you dismiss potential solutions you may not have heard of (or don’t exist yet).

        I suggest we have a universal basic income that supports a minimum existence. Artists having control of their creations can still be argued for but now without the “need money to live” aspect. Some artists already disregard copyright by putting works into public domain, or use a creative commons license which uses copyright to undo the restrictions placed on people by copyright.

        If I could do anything I’d reduce copyright time limit to 10 years and see how that goes. I’d only keep copyright till I found another way to enforce copyleft software licenses to ensure software freedom.

        • @[email protected]
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          11 year ago

          Even if it wasn’t about the money, I’d personally still be very pissed if someone would claim my work as their own and there’s no law to prevent it. I’m not saying that today’s system is great, because it sucks in many ways, but some copyright system needs to be in place for the good of everyone.

          • @tabular
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            1 year ago

            The intent of Copyright was to give the public the benefit of more works being created in exchange of their right to redistribute the works. Copying physical works is difficult so we were not giving up much then, but in the modern times it’s very easy to copy digital works. I also suspect we’re not encouraging more works to be created with this “long after death” time limit. I have nothing against artists wanting control of their work (my video games would be nothing without them) but this is no longer a good deal for the public.

            Artists can use Copyright to control their works in a limited sense but is that the control they want? Would 10 years be enough?

    • @stoly
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      81 year ago

      There have been many. Their creators are spending decades in jail.

    • @TORFdot0
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      51 year ago

      I believe the words you are looking for is “Linux isos”

    • redfellow
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      31 year ago

      Could you elaborate as to why you feel that a mainstream platform should exist which doesn’t care if the content uploaded to it is stolen?

      I get DMCA trolling, and that fucking sucks, but copyrights are important for the artists and creators trying to make a living from making content.