The Picard ManeuverM to TenForward: Where Every Vulcan Knows Your Name • edit-26 months agoData is becoming too smart for his own goodimagemessage-square61arrow-up1483arrow-down18
arrow-up1475arrow-down1imageData is becoming too smart for his own goodThe Picard ManeuverM to TenForward: Where Every Vulcan Knows Your Name • edit-26 months agomessage-square61
minus-squareFlying SquidMlink13•6 months agoThat was during that weird period of the 24th century where the only two types of human music anyone listened to were classical and jazz. It didn’t last long, thankfully.
minus-squareFlying SquidMlink8•6 months agoHey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
minus-squareThe Picard ManeuverOPMlink7•6 months agoIt’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters. I guess they were thinking that classical and jazz seem a little more timeless?
minus-squareFlying SquidMlink12•6 months agoI think it was more likely a licensing issue. Most classical music and many jazz standards are public domain. I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
That was during that weird period of the 24th century where the only two types of human music anyone listened to were classical and jazz.
It didn’t last long, thankfully.
But I love classical and jazz!
Hey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
It’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters.
I guess they were thinking that classical and jazz seem a little more timeless?
I think it was more likely a licensing issue. Most classical music and many jazz standards are public domain.
I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
Worf’s jam was Klingon opera in DS9