• @[email protected]
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    119 hours ago

    Went to see Flow in the theater this last weekend. It was really good.

    That said I don’t really go to the theater much; the last one I saw before that was The Northman two years ago.

  • Aviscii
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    119 hours ago

    Dune if adaptions allowed. The Creator if completly new. In cinema of course.

  • @[email protected]
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    223 hours ago

    Hmm, either Oppenheimer or Poor Things I think. I support new IPs in Hollywood in concept, but a lot of them just don’t interest me is the problem. Looking forward to Nosferatu this month tho!

  • @[email protected]
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    20 hours ago

    One new IP coming right up!
    Here you go… Rebel Moon
    Enjoy

    (jkjk I love new IP but not all of them are bangers)

  • @madcaesar
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    71 day ago

    The price of movies is too damn high to go out and watch them. My system at home is far more comfortable and costs barely anything.

  • @Agent641
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    71 day ago

    Hundreds of Beavers.

    And I watched it by just sort of holding my eyes open while the video file played on my computer screen.

  • @prof_wafflez
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    11 day ago

    This year I would’ve loved to see A Real Pain but it was only showing at one theater near me and only for one showing that I couldn’t make. For original movies I actually had access to in theaters, last year I saw Dream Scenario, American Fiction, Polite Society, Theater Camp, Zone of Interest, Problemista and Poor Things. All great. I also watched Rotting in the Sun on Mubi’s app and it was just okay.

    • @AA5B
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      119 hours ago

      Bummer. I wanted to see that

  • udon
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    72 days ago

    There was a theory somewhere that this is about power play. If you produce Spiderman 245, power shifts away from the director and towards the production company. Less artistic freedom, more money management. If you let the director create their own movie, they are mostly in charge of how things go, movies become more artistic and less focused on money (alone).

    I have nothing to confirm this and don’t remember the source I have that from except “the internet”

    • Sirius006
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      31 day ago

      Your comment is compatible with my ideology. It is therefore true.

    • @[email protected]
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      3 days ago

      Every iteration of me from 1994 to now is coming to your home to kick your ass right up and out past your teeth for calling the OG Crow a bad movie.

      Yes, most of us will be in face paint. Some of us may have black trench coats on. There may even be some hammer pants, but we won’t talk about that.

    • @[email protected]
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      32 days ago

      Seriously, there’s nothing inherently wrong with remakes but why do it if you’re not trying to make it BETTER? Or at least substantially different? Do a different take on the material, don’t just swap the CG animated boy for a real life actor while leaving everything including the CG animated dragon as it was, for fuck’s sake.

    • @[email protected]
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      Remakes that are better than the original:

      The Thing

      The Fly

      The Blob

      Invasion of the Body Snatchers

      Cat People

      Hmm. I’m noticing a trend here.

    • @TheFonz
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      203 days ago

      Wild Robot really surprised me… Score was fantastic and some scenes had me bawling

      • @ClockworkOtter
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        42 days ago

        We took our toddler to see it and both my partner and I had multiple episodes of weeping. Lovely film.

    • @Blubber28
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      32 days ago

      Also, for those interested in more mature movies: Juror #2. I had good expectations and was not disappointed. At least, not by the movie. There were only a handful of people in an already small cinema room, only a week after release. Meanwhile, Gladiator II is drawing a lot of public.

      While I love shitting on CEOs and business people as much as the next left-oriented person, this trend in the movie industry is very much, at least partially, at fault due to many of the consumers.

      • @[email protected]
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        12 days ago

        Juror #2

        Thought provoking in that everyone who wants to convict is “because he’s a piece of shit, whether or not it is unlikely he did it”. How do you tell people they are pieces of shit themselves, without them reactively thinking you are? Is the big thought experiment this film provokes.