I have no opinion on the Star Wars/Dune debate but that is one fantastic comment. Kudos to the author, brought me quite a smile.
Had me in the first half ngl
I got slightly heated myself…
The most funny thing about this is when Google AI will pick this as the true answer to the creation of Dune
Ha! This is a glorious future we’re living in…
My friend, who has never watched Star Trek, was convinced it was Star Wars ripoff.
My personal faves are the claims that the cybermen are ripping off the borg and that Pratchett’s Unseen University is a hogwarts copy.
And Battle Royale totally ripped off Hunger Games
deleted by creator
Hidden Fortress by Akira Kurosawa. It’s still enjoyable today IMO, and you can really see how some of the characters are a direct line to Star Wars characters.
deleted by creator
Akakiri is an even better example.
It also partially explains the Western feeling to Star Wars. Lots of Kurisawa films were made into Westerns.
Seven Samurai became the Magnificent Seven (and Bug’s Life!). Yojimbo and Sanjuro became A Fistful of Dollars and A Few Dollars More.
If you watch enough old scifi and adventure movies, you’ll learn to welcome the “so that’s where Lucas took that idea from” feeling as an old friend. He lifted a lot.
Well, you know the old adage: “Good artists copy, great artists steal”
The sci-fi artists were really all copying each other and building off of one another anyways.
It’s the same with almost all art anyways, it’s “inspiration” by another word.
That just is what all storytelling is. You mix and match characters, tropes, settings, and such from other stories and irl and mix it all together to get something “original”
Well even paintings and music is usually inspired by something as well, it’s not just limited to the medium of story telling.
True, storytelling is just easier to track and what the thread was about
The Hero with 1000 Faces
I also remember many designs and visual concepts were also based on a French scify graphic novel.
pretty much everything is a rip off of everything.
A fistful of dollars which has become the archetypal western is also just a rip off of yojimbo im addition to the magnificent seven being a rip off the seven samurai which was also directed by kurosawa the same guy who made the movie star wars ripped off.
Star Wars is the plot of Hidden Fortress, in a universe similar to Dune, in the style of Flash Gordon, but with genius special effects and Jaws level care for every aspect of the production of the film itself.
The music tends to be left off lists like this but without that fabulous score and the genius of John Williams and the London Symphony Orchestra, Star Wars would not have had the same emotional impact.
Forget the music it’s the overall sound design, music is just a small part of it. Villeneuve’s vision for the whole thing was to make it sound like a documentary: The desert sounds like desert, not like music, the ornithopers sound like – erm, they sound like ornithopters, not helicopters or music, everything sounds natural. As if shot on location, on actual Dune, and that atmosphere is given plenty of screen time, no grand musical scores interrupting the immersion.
EDIT oh wait you were talking Star Wars, not Dune. Yep, completely different beast. Also the THX logo not just the 21st Century Fox fanfare is part of the score I’m ready to die on that hill.
The music of Holst’s “The Planets”, if we want to complete our list of things Star Wars superficially plagiarized.
Kings Row. Music by Korngold.
So, an original work then.
Good artists copy, great artists steal
Bad ones copy and paste into the completely wrong context
Sounds like an AI prompt
For fun I put it into ChatGPT. Response is below.
That’s an insightful summary! George Lucas was indeed inspired by Akira Kurosawa’s “The Hidden Fortress” when developing the plot for “Star Wars,” particularly the perspective of the story being seen through the eyes of two lowly characters. The universe of “Star Wars” shares many thematic elements with Frank Herbert’s “Dune,” such as the desert planet of Tatooine resembling Dune’s Arrakis and the concept of a galactic empire. The stylistic influence of Flash Gordon can be seen in the serialized adventure feel and the distinctive, retro-futuristic aesthetics. Lastly, Lucas’s groundbreaking use of special effects and meticulous attention to detail in production set a new standard for filmmaking, much like “Jaws” did for the thriller genre.
And a producer who worked magic.
Star Wars and The Hidden Fortress aren’t that similar. There’s some clear inspiration in some aspects, sure, particularly with the Droids, but the overall plot evolved into its own thing.
I often wonder if anyone who says this even seen The Hidden Fortress.
Right? I kept hearing this claim so I finally watched Hidden Fortress and now it pisses me off at how much of a huge fucking stretch has to be made. “Oh, two comic relief buddy characters in an otherwise mostly serious film? Must be a Hidden Fortress ripoff!”
Fuck off. You might as well say they’re similar because both movies use moving pictures and sound to tell a story.
I mean it’s been a hot minute since I watched hidden fortress but it’s definitely much more than the droids as far as influence goes, unless I’m completely misremembering it there’s also Kenobi, Luke, and Leia equivalents and Lucas hasnt even been coy about how it was a big influence on the original film as far as I know
There isn’t a Luke equivalent. That’s kind of a big change.
No Han or Chewbacca equivalents, either.
Lol the real plagiarism is GW / Warhammer 40k ripping off Dune
And literally everything else and cramming it into one universe
Also big numbers = epic as a guiding light
Though you could do an identical meme with Games Workshop and Blizzard. There were so many people back in the day that didn’t know Warhammer 40k had been around for over a decade when StarCraft released.
And then the same thing happened again when Dawn of War was released.
To be fair, the original warcraft was supposed to be an rts using the Warhammer IP.
Starcraft was also supposed to be a Warhammer 40k game iirc.
God I do love me some crunchy writing
Yeah I was one those who grew up playing StarCraft and was in awe of how balanced the game races are and thought the game and lore was the first of its kind. It was only later that I learned of Warhammer 40k.
Not only Dune. GW ripped off so many franchises it made my head spin when I finally read the Foundation series by Asimov. Let’s just say the Mechanicum wasn’t an original idea.
And Starcraft ripping off 40k
Wow. A legit /MurderedByWords. Very rare even on reddit.
Now tell us how Lord of the Rings ripped off Star Wars, so that your journey to the dark side will be complete…
If you create a story, any story, and it’s in space then it’s a complete 100% rip off of Star Wars.
Disney will sue you if you say otherwise.
You might want to consider looking up “Jodorowsky’s Dune” for a bit more insight into how… huh… let’s say “influenced” Star Wars (and others for that matter) was by Dune overall.
When I said my biggest problem with the story was the same problem I had with Star Wars, royalty starting wars. My buddy who likes both said they were “Space Operas”. I think that’s the perfect way to describe them and how they are similar.
—Wait till they find out about Rebel Moon and how it was churned out with the specific intent of creating a space-franchise to capitalise on.
I would say Dune (at least the first book before it goes really fucking weird) has a sort of anti-colonial, indigenous(ish) peoples under occupation themes that Star Wars just isn’t interested in exploring. With Star Wars it’s basically just “There’s an evil empire, okay that’s enough, let’s go” vibes to OG Star Wars. Like you don’t have to pay attention to the political background blurb at the beginning that serves as pasting a veneer of political intrigue at all and the story basically makes sense. It’s a War story, whether or not a Monarchy is involved barely matters. It could be “Ambassador Leia” and “President Palpatine” and basically nothing would functionally change. Empire requires no monarchs to function.
Dune does come across as “The Indigenous peoples of Dune hadn’t a hope until this one random outsider self insert character showed up and joined their cause and was amazing at everything and was lifted up as saviour because vague prophecy seeded by generations of matriarchal Jedi (Bene Gesserit) manipulation reasons…” It’s sympathetic to indigenous peoples in a vaguely problematic for a host of familiar reasons kind of way. Like the world building is great and all but I feel like you could swap Luke Skywalker and Paul Atreidies and end up with a generally better story on both counts.
I somewhat agree. The theme of indigenous-ness is critical and is nicely explored in Dune while Star Wars may have too grand stakes and had to simplify the fight to Good (value lives and give freedom) vs Evil (power for me is yummy).
It sounds like you’ve also read the next few books…
As you probably know, Dune was made to subvert the Chosen One trope. He’s “self insert” with all the magical powers and strength and intelligence and prophecy but even that couldn’t help him be a “Good” guy because of his perverted intentions (avenge his family and gain power to do what’s “right”). Even the movie starts off with the good guys in White and bad guys in Black. Then things get Grayer as time passes.
But don’t think you could swap the protagonists. Luke and Paul are completely different characters. But you’ve raised a fun hypothetical! Let’s see…
Luke would be less ambitious than Paul. There were a few moment where both characters had the choice to go to the ‘dark’ side. Luke rejected the main? call (killing his father), Paul accepted the main call (during his first duel). Assuming both have equal strength and plot armor… If you gave Luke the same Power as Paul (foresight), would Luke just choose to die than subject the indigenous people to centuries of war? Or do as Paul did and in his way, try “free” the indigenous people?
I still think that absolute power would corrupt absolutely and Luke would probably turn into Palpatine (as Paul and and [mild spoiler] God Emperor did) if his family was directly slaughtered in front of him and he was a little more emotional. We see some of that when Luke decided to leave training with Yoda and go save his precious ones. Foresight is an anxiety inducing power… If he could see into the future, would he have stayed and allow a few sacrifices for the Greater Good? We don’t know… but that same emotional reasoning would probably indicate Luke would probably do the same as Paul and sacrifice future lives for the Now.
It would also depend on what stage of his character arc Luke was plucked from and replaced with Paul. I might even argue that Paul(/or swapped Luke) never even had free will and was just doing things because his mother chose emotion over duty and kicked off this saga.
Happy to be corrected! This was fun.
I feel like that’s a pretty well thought out theoretical! Will admit to still not having seen the new Dune movie so mostly going by the book.
I don’t know if I explicitly ever read into Dune that particular “Dark Side” interpretation of the Duel before as since it is so solidly from Paul’s perspective it seemed to be painted in terms of something nessisary to survive further and thus more like a morally neutral painted thing. A loss of innocence for sure but not nessisarily any more so than other fantasy protagonist who took the same sort of step of killing for the first time. He wasn’t granted much autonomy to completely peaceful exit the situation by Jamis so his options were more or less try and kill or cement his one likely route to survival. With the “locking in fate” thing painting his choice to die in the duel rather than kill as maybe for the greater good for nebulous wibbly wobbly timey wimey reasons.
It almost felt to me since the books were so bloody weird with plot points shooting the moon (though after awhile more like jumping the shark in personal opinion) and the factor of such grand prescience weakened a lot of the moral picture of any grand themes of Paul becoming an absolute monster as he’s got such a solid “greater good” he’s working towards that doesn’t really have theoreticals?
Like okay, Paul sees literally everything that will happen from the arrayed options so his demise is always placed as being stopping a series of dominoes from falling by plucking the first one to fall out of the lineup… but those grand losses are almost always impersonal. He at the same time is a human with human desires for personal safety for him and his loved ones which doesn’t place him as nessisarily “bad” just kind of instinctively alive. The plot always frames this as ultimately selfish but really only from the perspective of having a complete and total knowledge of how everything single action is going to eventually play out. It’s eclipsing human moral frameworks by this bizzare aspect of sizing it up to a Godlike scale. Paul can make a “good choice” as essentially a God working on that scale of knowledge or a “bad choice” as singular human with a bias towards survival. While an interesting hypothetical I think that removes him strictly from the territory as being at all relatable on a moral scale to a conventional ethical paradigm. Like for all Paul’s prescience he is limited in his ability to affect the board state so a lot of what happens is painted as his fault because of a choice he makes but if you look at the choices made where he really sort of fucks the dog on a God-like scale it’s generally for reasons which make him relatable as a person.
Absolute power corrupting absolutely or later themes that people really need to not think too collectively and not create cults stikes me as not being Paul’s downside. He didn’t ask for the power he has to be dropped into his lap and can never fully get ahead of the consequences of having that power so I don’t think Paul is painted as being a complete subversion of being a self insert turned bad guy so much as being a " tragic hero Chosen One" just being a hell on earth situation that he needs to weather with highs and personal lows. The framing sort of struck me as a fairly typical compounding trauma storyline where all the terrible things that happen to him make him more “heroic”.
This is all sort of personal opinion though. I feel like I don’t exactly love the Dune universe. My reading of them was largely because while I was staying in Japanese guesthouses I tended to read whatever English novels were left behind by previous occupants.
Dang you’ve made me reconsider a few things. You’re right in that Dune is not subverting the Chosen One but more the Foreign Messiah trope. And also the fact that the Paul’s arc is shown as tragic than a decent into Evil. Having Power didn’t necessarily make him Evil but that depends on who you ask.
(I also love your phrases. "Wibbly wobbly…“ and fucking the dog…)
I do see your point of the lack of free will removing any morality conundrum off Paul. Depending on the scale of foresight (next week, next 10 years, next few centuries), the weight of each decision flips on its head. E.g. killing millions of sandpeople is bad on a small scale… but super necessary when the entire human race is on the line. The more books you read, the more it feels that Herbert ‘retcons’ everything. The only insight into Paul’s character and his decisions have to be judged before he went all Godlike (pre drinking Water of Life).
My introduction to Dune isn’t as cool as yours as I mostly audiobooked so it’s hazy. Maybe not with Jamis but potentially with Fade Rautha, he was faced with a Choice. With fight against Jamis for example, Paul knew he could most probably win so his actions were chosen. I brought the Dark Side theme (and conversely the Good) into this since the Taoist philosophy of the Force is quite sympathetic to the message of “understand your role is on a cosmic scale and please try not to have ego”. Luke, if he was a Yoda level Jedi, may not have made same Choice as Paul (assuming Paul could only see glimpses into small future at this stage). He would have simply be struck down as Obi Wan had done? If we give Luke prescience, then yeah, he’ll probably do as Paul does and try for the Greater Good.
True test of character is when you have incomplete information and then are judged by your intent… and there are only a handful of moments where Paul consciously pushes the dominoes available to him. Paul is shown, in those few moment of actual agency, to make the Choice towards survival, revenge and Ego (one of which in my head can classify him as somewhat Evil on my scale, but different on yours since survival+family is a relatable and human trait). Whether he could glimpse 1Million years into future or 10 years, that’s up to debate. Extrapolations on incomplete information is dangerous… But he chose to consciously trust it. Surprise surprise, it was the bestest decision in the universe! Luke is shown as well meaning Good and, if in Paul’s shoes, therefore would push the dominoes that favor immediate bonds and choosing the Right thing (not killing Palpatine when he had the chance for example?). Surprise surprise, it would be the bestest decision in the universe.
Yep, throwing in foresight completely allows Paul to sidestep ethics. And cue years of trolley problems. We don’t have counter factuals and just have to play along with Herbert’s word which as you said, jumps many sharks and takes plenty of narrative shortcuts.
My entire argument hinges on this assumption: prescience, as depicted in the books was not a 100% Omniscience. More like hallucinogenic coffee where your previous knowledge and biases affect the path of extrapolation. When Paul gets generations of Matriarch knowledge, he can extrapolate better and further. Before that, he’s somewhat relatable and makes choices which can be looked at as self serving. Luke would have done the same… Yoda may not have due to his trust in the Force.
(Sorry for the length. Thank you for engaging)
I dunno if it’s nessisarily subverting the Foreign messiah trope either particularly.
In parable there’s a lot of overlap with the white messionic saviour trope just the indigenous peoples are obscured by sci-fi. The Fremen are depicted sort of as braves of the “noble savage” variety having an innate connection to the land in the form of their connections to sandworms, walking without rhythm etc and are visually othered blue by spice. Paul learns things about himself by their adoption and ultimately rises up through their ranks to lead them, takes a concubine in their ranks who represents his “love” but ultimately marries and legitimizes his connection to an offworld Princess. The Muslim/Islamic coding doesn’t particularly help matters. The whole Sandworm thing is coded to bring to mind oil drilling. Uplifting the Fremen society is also not without consequence - doing so is destined to perpetuate a massive out of control religiously motivated slaughter across the universe… Which is not so great. Smacks a little of replacement narratives which puts emancipation always at someone’s expense of being just replaced on a heirachy. Even the names Atraidies is Greek coded and Harkonnen is ripped from Finnish making the houses kind of White coded, particularly since the whole “Western Civilization” thing is often coded as the legacy of the Greeks and Romans (its part of why important government buildings basically are built to resemble faux Greek temples).
Paul also gets his powers basically from a Eugenics based breeding program which more or less legitimizes that process.
So while many look at Dune as a subversion of colonial tropes the framework that paints Paul as a devisive figure also sort of hinges on this idea of him being a good spirited race traitor who manages to become more Fremen than the Fremen whose fall from grace inevitably sparks the downfall and replacement of the (Western coded) civilization he comes from killing billions…
I recognize generally the instinct is to go with the kindest spirited read about these things which I can’t slam anyone for. I don’t think good faith readings aren’t nessisarily a moral failure, it’s human to want to extend the benefit of the doubt, it’s just critique is evolving to see things more pluristically. People like what they like and this particular author isn’t exactly reaping any benefits of influence, he died almost 40 years ago. People are gunna reintegrate his work to try and adapt it to modern attitudes just like they do with things like Tarzan, Lovecraft and Dances with Wolves. There is however a kernel of supremacy in the work, unwittingly placed or not (I haven’t looked into the personal deets of the author’s beliefs and maybe it’s better that way) that is a product of the compounding and normalization of other like works that we are growing up to see weren’t particularly good for everyone.
Maybe however my particularly harsh read is an extrapolation of my own background. I am a West Coast Canadian. We are encouraging ourselves as a society to have a really hard think about indigenous affairs and attitudes. Like its pretty normal where I am for all events, meetings and performances to be preceeded by a Land Acknowledgement and a lot of my friends in acedemia and the arts world are actively trying to fully subvert, credit or recognize and append this stuff so we can start dismantling the structures we’re all unwittingly complicit in. I have buddies from the States who are pretty leftist who are just entirely mystified by the depth and breadth of the process. Yet I am no angel. I love the Anno series of video games which very uncritically depicts a very sanitized version European expansion and capitalist Empire. I watch and enjoy anime that routinely has aspects which are often ridiculously sexist in treating women more like beloved pets than people. I think Miyazaki was right about anime while still enjoying the fruits of that industry. So I am not gunna say “We should spurn Dune once and for all!” but like… I also think we can learn from it and not let it entirely off the hook.
Trying to summarize your treatise, please correct if mistaken…
You’re saying that Dune doesn’t subvert the foreign Messiah due to the fact that Paul isn’t shown to be wrong. As discussed above, for plot reasons and due to prescience. He represents a different face of Western colonial expansion and since a hierarchical undercurrent is always present, the subversion doesn’t really happen.
Ugh, I agree. At least for his arc, it is shown to be a heavy burden but a necessary evil. It does propagate the idea “sometimes you just need to hand all power to one man who knows more than you”. My bad… I realize I may have been confusing the book and Villeneuve’s portrayal of Paul (hope you do get to see it one day!).
For my education (as I am curious to hear you’re thoughts [if you’ll humor me but no pressure]), I will try to push the “benefit of doubt” narrative and still try to justify Herbert a bit in regards to the pluralistic viewpoints you’ve laid out.
I get what you mean by seeing the broader context. The Fremen are shown to have a fluid government, more democratic than the Empire. They have more connection to the land, understand their shared history, value of life, value of resources and balance. I’m imagining a rosy native tribe close to nature, drugs and shit. Paul goes there, learns how they live, somewhat adopts their values and is free from the matrix.
If Paul is shown as narratively perfect, then the ‘indigenous’ views he carries are also weighed higher than the Imperial mindset. Yes nothing may have changed since the Fremen slotted into a hierarchical structure and paid for it, I think still Herbert acknowledged that indigenous views were ‘better’. A ‘civilized’ white man didn’t teach them a better way of living, instead he was corrupted to their way of thinking and worked with them to defeat the Empire.
As to wielding power and somewhat adopting a hierarchical mindset, I naively believe that intentions matter. In Paul’s example, he had the bestest of intentions. If there was no war, I think he would happily abdicate power, fulfill the dreams of the Fremen by giving them a healthy ecosystem and go live with his love (I would sidebar argue he actually loved Chaini and kept the princess as his concubine). I know power corrupts but what could he do other than fight for what he believed in… I know it’s all on trust and faith and lovey dovey stuff.
In your case, you acknowledge structures you’re complicit in and with what power you have, you are trying to nobly change for better. Yes wielding power can be done “humanely” by asking for permissions and consulting everyone before making decisions etc… but in times of urgency/high stakes, autocracy with a philosopher king/Jedi Master/Omniscient Paul is generally preferred. People who may try to fight you/Paul, probably do not want to pay the price of emancipation/equality. How else are we supposed to enact change other than using our power over others?
I don’t really have the issue of using power over others. At some level Hierarchy is efficient which is why a lot of Democratic structures have in built heirachy to address speedy action…
But there’s more nuance in what’s going on in Dune. Fremen are kind of Bedouin / Islamic / Haudenosaunee confederation coded. On the one hand you have the tropes around the Confederacy, fierce warrior culture, connecting to the land, noble Democratic society and then you have the Islamic religious belief system represented in the cult of Paul basically becoming something analogous to the Prophet Muhammad. Both of the cultural trope bodies come from places that have dealt with Colonial occupation. There are aspects we are meant to see as noble and admirable. We see through Paul’s eyes as he witnesses injustices and gains an appreciation of the culture which adopts him. There is a long history in the west of Romantization of indigenous peoples. Benevolent racism is still racism though. We follow Paul so we see as he does but the narrative framework doesn’t always match what Paul does. His ability to understand the grand weight of his actions puts him beyond normal human senses of scope. When he behaves in ways based on personal sentimentality Prescience essentially pops up in the corner of the screen and says “The world will Remember this.”
The frame always pops back up to tell us that by sympathizing Paul is going to cause a massive war. He is the fulcrum which the universe balances on and it is his choice whether he causes a massacre of incredible proportions. He’s coded as morally principled- A good man maybe but also the narritive paints weak, unable and unwilling to stop the rising tide because his alliegences are ultimately to the indigenous peoples. He cannot get ahead of the war because the people beneath him of that indigenous culture will never be satisfied with peaceful emancipation but enact instead a holy war. Others must suffer for the Fremen of Dune to be self determining. The deaths of billions rests on the nessisary exploitation of Dune’s spice resources the same way the world relies on oil. The deaths of billions is always cast as the inevitable consequence which is the main problem I think.
Take this back to it’s roots and you see some of the regular pushback you see against civil rights movements. The idea that people fighting for rights or emancipation are instead just looking to turn around and subjugate others. That it must enevitably come down to a war where someone replaces the old form of subjugation with a new format. The jihad is this idea codified. Paul’s actions are often framed as ultimately bad in the story but he fills the role of the person both enchanted by and betrayed by romanitic exotisism.
The story seems to be of someone who sympathizes with indigenous plight but also legitimizes the need for it. Paul is a tragic figure because he is given no third option. The story isn’t interested in exploring any positive potential outcomes. It’s a seesaw where the pain always lands on someone not in reasonable concessions but all or nothing battles. This is where the idea of Dune being an anti-colonization narrative starts to get very shakey.
I don’t know if this was a struggle internal to the author that he was working through in real time as he wrote it, , if we are supposed to see the points of both Paul and the Framework as legitimate or if we are ultimately supposed to conclude that Paul was ultimately misguided… Of those two options both are problematic in multiple ways. In the Framework and Paul are right model you have essentially “what’s done is done” Colonial apologism. If Paul is ultimately supposed to misguided by sentiment that’s basically the plot saying “Do not sympathize it will only lead to the bad stuff happening”. The Fremen can never be stopped from worshipping Paul as saviour and moral guide and the resulting massacre is his reward.
This narrative ignores the idea there are a range of different potential options to deconstructed colonization which are based on different peaceful reconciliation measures that are admittedly less narratively interesting than a winner takes all war. These are based on the appeals to seeing pluralist takes where compromise and actual respect is the work of non-romantic empathy. Different places are currently handling it differently…but that’s not really what Dune seems to consider. It’s structured so that at all times you know as a reader for certain that Paul’s actions and particularly his bleeding heart sentiments will cause death on a scale far beyond Arrakis. It seems mired with ruminations more in line with Utilitarian ethics trolley problem situations which paints Paul as an ultimately divisive figure. The main issue is that it’s using themes of indigenous emancipation to ask these questions which have fairly direct and poorly concealed real world counterparts. Precience exists to force the framework as emancipation as only choosing who is ultimately the worthiest of violence or what is ultimately worth sacrificing because of personal sentimental attachments.
Doesn’t the story portray Paul Atreidies’ messianic rise as a bad, albeit opportunistic move? I only watched the new films, but it did not feel like we were supposed to think it was a good thing.
In the books, the role of the Atreides family was not to be the good guy but the necessary evil to reach the final step of saving humanity. Even Paul can’t stand his own role in the story.
I actually fucking loved Chalamets performance in the new movies because I felt his anger and resentment when he finally submits to fulfilling the prophecy and becoming the savior figure
It’s complicated. Paul isn’t really a good guy, but he’s not really a bad guy either. He’s just a dude. He’s a dude who has limited vision into the future from which he cannot escape. He’s not using his future vision to pick the bad choices he’s trying to pick the best ones he can and the hand he’s dealt kinda just sucks.
Not so much opportunistic but unavoidable. He’s a slave to the powers surrounding him, and the more real-world power he attains the less choice he has in how to wield it.
The real gut-punchers of how his station is betraying Paul’s actually and genuinely good character are going to come in the second book, that is, subsequent movies.
And, yes, Paul, the Atreides in general, are good people. Noble, honourable, just, wise, kind, upright, everything, to a fault. Which is the only way to tear down the Messiah archetype, the Messiah has to fail despite their virtues, the failure has to be dictated on them by the universe, in a way that’s not incidental but an unescapable truth about how the universe works. Or at least humanity.
I only read the books so the movie may have course corrected somewhat to make that clearer. I feel like in the books it was a little bit like greek tragedy but Paul gets the “shades of grey” treatment for much longer than he deserves.
I have to admit a bias though that since the books kind of go off the rails pretty quickly I tend to prefer to look at Dune as a stand alone work strictly from an enjoyment standpoint.
sort of anti-colonial, indigenous(ish) peoples under occupation themes that Star Wars just isn’t interested in exploring.
Rebels did that pretty well. Andor is digging into it too.
Oh damn really good point. I was thinking the same as OP until your comment. Rebels definitely dove into this aspect in a very similar way like the Fremen. Andor hinted at it as well. Both explore what life is like for the everyday inhabitants of the galaxy, which is why they’re so cool.
Although Dune was certainly more deliberate with making the indigenous people rising as a core part of the main story. Haha the Jihad was also a significantly different response than the Rebellion though.
Dune has the sub-theme of tough conditions create tough people. The sand people were just waiting for the right spark.
I mean yes, but that’s a bit of a surface level read and I would argue more of a trope than a theme. Like there’s a lot of fantasy where there is a scarcity based culture that makes for skilled people with very survival forward approaches to things normally governed by sentimental attachments that paint kindness as a privilege of those with resources to spare…
Those conditions in fictional tropes pre 1960’s were just more often than not just temporary generational stuff. Famine, war, extreme poverty and so on were popular places to draw touch characters from but the sci-fi boom just elaborated it into death worlds where things are always horrible as a matter of a more overarching environmental nature. People have otherwise been on their box about the effects of soft living on moral character since as long as the written word has existed.
If by surface level read you mean reading what the author wrote, then I agree. I think in this case, what the reader brings to the story is most important. I have training as a biologist so, survival of the fittest is right in my arena.
It is what the author wrote but it’s basically like saying Winnie the Pooh has themes of childhood innocence… Yes. It does, sure, but would you bother writing an essay on it? Deeper reads of the text give you a lot more subtext. Like for instance how the plight of the Fremen and the spice trades mirror the political situations in the Midde East, Atraidies and Harkonnen are rips of Greek and Finnish names with many of the main offworld characters having Biblical (Hebrew or Roman) names while Fremen are specifically sort of coded as Bedouin /Islamic Zen Buddhist mashups and sometimes they straight up speak Arabic. So the offworld Empire gets kind of “Western Civilization” coded and the desire for emancipation is taken over by an inevitable religious fanatism caused by essentially an offworld sympathizer who is the result of hundreds of years of Eugenics becoming a messiah figure basically being a better indigenous people then the indigenous people who are ultimately pawns in a female lead conspiracy that fucked up because of one woman’s choice to have actual reproductive autonomy…
Dune’s got a lot subtextually going on worth talking about but “Tough conditions tough people” isn’t what I find interesting about the story. I get that from a lot of places so it doesn’t feel particularly unique or special to the story.
“Space opera” has been a term in science fiction since at least the 1940s. Flash Gordon, John Carter, and Buck Rogers all fought Emperors.
I’m so cheesed off that the John Carter didn’t perform well. It was pretty good and they’re really interesting/fun books.
I think I made it through one Burroughs book [ a WW2 era Tarzan]
If you want a great heroic fantasy, try Robert Heinlein’s “Glory Road.” He gives you a great adventure, and casually kicks all the tropes in the knee.
I read mostly old sci-fi, so I can manage colonialist, racist, and misogynist stuff and enjoy the story around it!
Does anyone have an analysis comparing the Fremen of Frank Herbert’s Dune to the the Aiel of Robert Jordan’s Wheel of Time?
I’m 9 books into WoT right now (its good shit) and the overlap between the Dune series is pretty interesting to say the least. Rand -> Paul, Aes Sedai -> Benne Gesserit, Aiel -> Fremen, I mean there’s a dozen more comparisons I could make too. The lack of Turbo Pussies and chair dogs is a let down though.
Graendal uses humans as chairs.
Definitely a huge overlap but mostly just because these are classic and great tropes from English-language literature. I doubt Dune was a major inspiration for WOT.
Aes Sedai - Bene - Moirai/Weird Sisters Moiraine is literally named after the Moirai
Paul/Rand are regular chosen ones with the foreign savior theme of Lawrence/Heart of Darkness added on for good measure
They’re the same except you have to go through the rings to see the future.
Thank you for attending my TED Talk.
I had one in my mind for quite a while now. Time to write it down:
A famous-but-secretive order of women pulls the strings of all known civilization. They possess special powers, that allows them to do so, but even more than their powers they rely on their reputation and their vast network of connections. There is an important in-lore reason why the order accepts only women - the powers they use are defined by their gender, and the male version has some terrible aspects to it such that letting a man connect to it will be disastrous.
And yet - the order has a prophecy about a chosen one - a man that will use the power to unify humanity and lead it. For generations, the order’s secret agenda was to track the bloodlines that will lead to his birth, all in order to ensure he is born under their control and guidance.
But as stories go - that doesn’t work out. In the last generation, just before the chosen one is born, a member of the order betrays that goal. The chosen one is born outside the order’s control (though not entirely outside its influence), and grows up training under a master swordsman.
We reach the first book. Boy leaves happily with his big happy community - which, of course, gets attacked and destroyed. Accompanied by a member of the order he manages to escape the massacre , and eventually reach the desert. There they meet up with the Bedouin themed desert nomads. These nomad are very isolated and xenophobic, but of course they eventually accept our protagonist. We learn a few things about them:
- While they are known through the world as fearsome warriors, in their past they were pacifists.
- Their women can also use the same power the order uses. They just… use it for their own tribe’s businesses instead of interfering with governments.
- They also have a prophecy about a chosen one that would lead them. And surprise surprise - it’s the same chosen one the order was going for. What are the odds?
Well, chosen one or not - there is a tradition to be held. So our protagonist goes through their tests, becomes their great chieftain, takes a chieftain’s daughter as his lover (which won’t stop him from marrying a more conventional princess), and goes on to use them to do his chosen one business and take over the entire civilization.
Google Gemini will regurgitate this one day.
Star wars was about how space fascisim is bad. Dune is the same but about the Space Holy Roman/Ottoman Empire.
And drugs.
I don’t know anything about Dune, does it have Magic (the Force)?
No. But it has drugs that make you accurately predict the near and far future. And turn you into an immortal worm eventually.
Not immortal, just long-lived and thick skinned
The voice… Prana-bindu, there’s others, but spoilers ahoy.
Yeah.
Tap for spoiler
But non of it is magic. More like crazy mastery of your own body to a degree that it seems like magic.
The majority of force abilities is basically that. Voice control isn’t mastery of muscle or nerve, it isn’t magic in a sense, but controlling someone’s mind to do what you want for all intents and purposes is.
Also, where do you think Star Wars got inspiration for most of their force abilities at the start?
basically The Force then
Not immortal, just long-lived and thick skinned
True. My apologies. I fell for imperial propaganda for a moment.
It definitely has aspects that could be considered magic, but I wouldn’t necessarily compare them to the Force.
Some aspects of it. “The voice” is basically jedi mind tricks. People that are attuned also get visions/senses of foreboding about the future. There’s no telekinetic stuff as far as I know.
Sort of yeah
Yeah
Interesting, maybe I’ll read the book. I’m trying to read more
You can get it on library genesis. Messiah, too.
This might be controversial, but the new Denis Villeneuve movies are much better than the book. Maybe watch the movies and read the book or trawl the wiki after for more context.
They’re definitely better entertainment pound-for-pound. I’d contend that the book gives you a lot more to think about, so it really depends what you’re after. I like them both a lot–I think they complement each other very nicely.
The movies are amazing but the first book is better.
Hard agree. The first book is an amazing experience and while the new movies are great on their own, they leave out a lot.
The third movie, covering Messiah, will probably be better than the book because the book wasn’t as strong as the first in the series. It is even more cerebral and very very very far into the ‘plans within plans’ shit. A movie that simplifies that a bit in service of a tighter story has room to shine.
I’d compare it to The Lord of the Rings books vs the movies. The Movies are a great abridged series and they know what pacing is, but the books explain so much more and have several extra movies worth of cut content.
Frank Herbert spent his entire family fortune building his time machine, and even had to sell his family ranch in California and the family’s stock in General Electric.
Woah, that’s heavy.
